Whenever we walk into that dark room for a work of theatre, I think it’s safe to say that most of us are, at the least, looking to be entertained. But the theatre that excites me most is that which is not only enjoyable, but also provokes.
It’s not common, but it’s a great trick when it works. This episode is about a show that succeeds in this way.
terraNOVAcollective presents J. Julian Christopher‘s Animals Commit Suicide, directed by Jose Zayas, as part of their terraNOVA Rx development series, and while the show’s subject sounds (and is) incredibly dark—a young man actively seeking to get infected with HIV—the play works as a play rather than a moralizing, bash-you-over-the-head screed. It makes for a provocative, yet enjoyable night of theatre.
Listen in as Julian & Jose discuss how to wrap scary material into a love story, writing like an actor, addressing dangerous questions through theatre, and “truth.”
“…the people who I like being with are the ones who are willing to take that journey, who are willing to go, ‘I may not approve of this, but I’m willing to go there with it, and stretch my humanity, and think about why someone would do something that I don’t understand.'”
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We all want to belong.
Jaclyn Backhaus‘s new play, Shoot the Freak, is currently playing at Tom Noonan’s Paradise Factory on East 4th Street, as part of a unique theatrical event taking place through the month of September.
Doubt.
The podcast returns to 
If you’ve spent some time around the off-off-Broadway scene, chances are you’ve run into Duncan Pflaster — maybe you saw one of his shows, or read one of his reviews.
To drastically, drastically oversimplify his play—this what happens when an easy pun is chased down to the point where it becomes a complex theatrical statement.