Ashley J. Jacobson, Elizabeth Sarkady, Faith Sandberg, Jenna D’Angelo, & Brandon Ferraro of “How to Be Safe”

The Dirty Blondes present HOW TO BE SAFE, written by Ashley J. Jacobson, directed by Cezar WilliamsListen in as The Dirty Blondes, Elizabeth Sarkady and Ashley J. Jacobson (whom you’ll remember from past podcasts on The Miracle Play and The Tunnel Play), along with the full cast—Faith Sandberg, Jenna D’Angelo, and Brandon Ferraro—discuss the company’s new play How to Be Safe, finding relevance in the present moment, the “low hum of anxiety,” the draw of terrible true crime shows, the incredible experience of having a theatrical home-base, being a sponge (then wringing yourself out), and finding safety & solace in the theater.

“…the election happened, and that made me question what I was going to be putting out into the world. It needed to be relevant, it needed to speak to something. And so I figured, ‘let me just create the most honest, emotional show that I could, because that felt like my own personal safety, and that felt like my own personal contribution, to talk about how afraid I feel, and how afraid I think other people feel…”

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Richard C. Aven, James L. Menzies, & Christopher Halladay of “Go Get the Axe”

FIG Productions presents GO GET THE AXE, written by James L. Menzies, directed by Richard AvenListen in as playwright James L. Menzies and director Richard C. Aven of Go Get the Axe, along with co-producer/actor Christopher Halladay, discuss the process that brought two short Shotz pieces by Jamie into the full-length FIG Productions is currently presenting, fever-dreams from a bathroom floor, the benefits of a desk day-job, collaborator love, killing your darlings, and how to give good pod.

“…people have been so imaginative, and so creative, and everybody’s had input. And that makes me really really proud, because it’s been phenomenal, the individual pride and energy that’s gone into this…and I get to sit and watch it, and people make me look good.”

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Matthew Roi Berger & Jonathan A. Goldberg of “The Fall of the House of Sunshine”

The Fall of the House of SunshineListen in as Matthew Roi Berger and Jonathan A. Goldberg, co-creators of The Fall of the House of Sunshine, discuss the show’s roots in Serials at The Flea, who gets to edit this epic, how to describe your multi-hyphenate-project, the importance of having a plan, and the freedom of doing a musical serial as a podcast.

“Do you like comedy? Do you like musicals? Do you like mysteries? Two outta three ain’t bad…”

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Emily Owens, Hollis James, & Nat Cassidy of “Kyle”

Hot Tramp Productions presents KYLE by Hollis James, directed by Emily OwensListen in as Kyle playwright Hollis James and director Emily Owens—who are, combined, the newly-formed Hot Tramp Productions—along with actor Nat Cassidy discuss how a play can sneak up on you, overcoming the little demon inside of yourself, how to pronounce “publicist,” getting coaxed into the director’s chair, playing your playwright in his play (while he’s acting opposite you), and why you shouldn’t get a “Nat-Cassidy-type”—you should get Nat Cassidy.

“…I didn’t set out to write this story. I just sat down to try and write something, my writing partner and I…we were in a holding pattern, and we were sick of pitching, and going through all the rigamarole. So I just sat down to try to write something just for me, and I wrote this scene…and then I realized, ‘that’s me, back then…'”

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Hondo Weiss-Richmond, J. C. Ernst, Emily Kitchens, Natalie Hegg, Dan Morrison, and Patricia Lynn of “Messenger #1”

Hunger and Thirst Collective presents MESSENGER #1, written by Mark Jackson, directed by Hondo Weiss-RichmondListen in as Messenger #1 director Hondo Weiss-RichmondHunger & Thirst Collective Artistic Director Patricia Lynn, and actors J. C. Ernst, Emily Kitchens, Natalie Hegg, and Dan Morrison discuss class, intimate space (and the fun audience reactions it can provoke), “the swells,” the flow of information, telling the truth, and how this 17-year-old play feels like it was written for our present moment in the United States.

“…sometimes at the very end, you feel like…we’ve all been a part of this together. It’s like this shared experience that we’ve all had, and you feel that very palpably because it’s an intimate experience…”

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Genny Yosco, Zachary Millard, and Chris Weigandt of “A Fifth Dimension”

Sour Grapes Productions presents A FIFTH DIMENSION, An Unauthorized Twilight Zone Parody, written by Genny Yosco, presented as part of FRIGID Festival 2017Listen in as playwright, director, and performer Genny Yosco of A Fifth Dimension: An Unauthorized Twilight Zone Parody, along with fellow actors Zachary Millard and Chris Weigandt, discuss overacting the overacted, casting young actors, making your own opportunities, producing out of bitterness and hatred, and finding the horrifying contemporary relevance of your parody show.

“…it really took on a life of its own…each show that we do, we add our own lifeblood to it, it’s new every time…”

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Jeff Wise and David Kenner of “DANNYKRISDONNAVERONICA”

Wheelhouse Theater Company presents DANNYKRISDONNAVERONICAListen in as DANNYKRISDONNAVERONICA director Jeff Wise, along with fellow company member David Kenner, discuss the approaching mid-life crisis, describing your play like an iceberg, heavy rooms, the future of Wheelhouse Theater Company, searching for technical interns, and finding your personal joy.

“…we’re really just honing in on who we are. Rather than talking about it, and saying ‘this is who we wanna be, now let’s do that,’ we’re just throwing it against the wall, and being, like, ‘what do we like? what do we not like?’ and we’re continuing to refine ourselves vis a vis the work…”

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Skylar Fox & Simon Henriques of “Providence, RI”

Nightdrive presents PROVIDENCE, RI at The TankListen in as the co-creators of Providence, RI, Skylar Fox (who directs) and Simon Henriques (who performs in the show) discuss their company Nightdrive‘s process, why they used Providence as their subject (and what it was like to explain the place to someone who’s never been there), misdirecting your audience, and where their piece fits in the world in January 2017.

“…we’re actually trying to do new things to communicate in uniquely effective ways with an audience…”

“Yeah, we’re trying to do experimental theatre that’s FUN…” Continue reading

Charlotte Ahlin, Emily Lyon, Danielle Cohn, and Jacque Emord-Netzley of “The Summoning”

Fat Knight Theatre presents THE SUMMONING, written by Charlotte Ahlin, part of Winterfest 2017Listen in as The Summoning playwright & actor Charlotte Ahlin and director Emily Lyon, later joined by the rest of the cast, Danielle Cohn and Jacque Emord-Netzley, discuss inspiration from college issues, finding the rhythm of the play, feeling the pull of the dark forces of the occult, the benefit of working with friends when you’re working with constraints, and why you gotta make ’em laugh.

“…I think a lot of those insecurities that everyone feels go into this…and then, of course, the natural extension of that is, when you’re afraid of the unknown of the future…you’re going to want to summon some demon-spawn from hell to protect you…” Continue reading

Melissa Moschitto, Malini Singh McDonald, Alex Randrup, Brian Demar Jones, Jean Goto, Mariah Freda, and Michael Ables of “No Man’s Land”

The Anthropologists present NO MAN'S LAND, photo by Victoria Medina PhotographyWhat do you do if your daughter wants to be a real-life princess?

If you’re Jeremiah Heaton, you buy a plot of land in Africa, call it North Sudan, and make your little girl’s dream come true.

But as the poster, at left, for The Anthropologists’ No Man’s Land attests, fantasy endings like this can become something else entirely once your eyes are opened to the realities of life in the 21st Century. The very real, very complicated issues of colonialism, racism, capitalism, gender, and more come to the fore of the fairy tale in this devised show, currently playing at TheaterLab in Manhattan.

Listen in as director/writer Melissa Moschitto, assistant director/assistant producer Alex Randrup, producer Malini Singh McDonald, and actors Brian Demar Jones, Jean Goto, Mariah Freda, and Michael Ables discuss their devising process, a nice suit that doesn’t quite fit you, finding a way to get 99.9% of what you want while producing without an off-Broadway budget, and finding the play through failing to find the way to tell the story.

“…those are the parts that resonate the most, when suddenly we’re just having a conversation. And it allows you to kind of have those thoughts performed for you by people…I feel like a lot of people, when it comes to the issues of this country […] you start just echoing the same thoughts, the first round of arguments. And I think what’s so great about this show is that it lets you kind of get past that…”

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