Janet Bentley, Andy Evan Cohen, Alexandra Cohler, & Ian Campbell Dunn of “Basement”

Roly Poly Productions presents BASEMENT, written by Michael Hagins, directed by Janet BentleyListen in as the director of Basement, Janet Bentley, along with actors Alexandra Cohler & Ian Campbell Dunn and sound designer Andy Evan Cohen, discuss radio-announcer-as-chorus, working in multiple languages in the same piece, sound as dramaturgy (and dramaturgy through sound), the benefit of having a medical professional in your production team, finding a place for a dance, and how to turn the traditional wartime romance narrative on its head.

“…theatre is always musical to me. There’s a rhythm to it…”

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Michael Hardart, Sidney Fortner, Michael LeBron, Marc LeVasseur, Erin Beirnard of “The Climbers”

The Metropolitan Playhouse presents THE CLIMBERS by Clyde Fitch, directed by Michael HardartListen in as director Michael Hardart, designers Sidney Fortner (costumes) and Michael LeBron (sets), along with actors Marc LeVasseur and Erin Beirnard of The Metropolitan Playhouse‘s production of Clyde Fitch’s The Climbers, discuss finding opportunity in constriction, pacing, showing & reflecting the mechanics usually reserved for the background, hearing from the servants, being in tune with your audience in an intimate space, achieving elegance by suggesting elegance, and why this play from 1901 fits in our “new gilded age.”

“…what it’s driven me to…is an appreciation of what I enjoy, what I love: when a play can continue moving forward, even in a set change…you make it something that’s part of the story…”

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Erin B. Mee of “Subway Plays”

This is Not a Theatre Company's SUBWAY PLAYS, conceived of and directed by Erin B. MeeListen in as Erin B. Mee, who conceived of and directed This is Not a Theatre Company‘s Subway Plays, discusses the origin of the term “podplays,” how variables can enter into the “performance,” practical considerations when you’re dealing with the MTA as your venue, mindfulness and the opportunity to mono-task, and making your theatre work even more accessible.

“…what we wanted to do was create a piece [where] the audience member mixes the live experience with the recorded experience, and creates an experience that is unique to them. So there’s something kind of John Cage about it…”

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Ran Xia and Charlotte Arnoux of The Arctic Group’s FRIDGE Festival

The Arctic Group presents FRIDGE Fest 2017Listen in as Ran Xia and Charlotte Arnoux, co-Artistic Directors of The Arctic Group, presenting their Fridge Festival at IRT, discuss happy autocorrect errors, finding a fridge for your fridge festival, developing your climbing skills, the beauty of limitations, serendipitous curation, “figuring it out,” and what it means to “pick a snowflake out of an avalanche.”

“…it’s putting two different groups of people onto the same platform, so they can have a conversation…”
“…and just offering space to artists that we love, and ones that we have come to love…we wanted to create the theatre festival that we never had…”

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Julie Congress, Ryan Emmons, Steven Conroy, and Enrico de Trizio of “Friends Call Me Albert”

No. 11 Productions presents FRIENDS CALL ME ALBERT, written by Zachary DesmondListen in as some of the team behind Friends Call Me Albert—performers Julie Congress and Steven Conroy, director Ryan Emmons, and musician Enrico de Trizio, all members of the ensemble of No. 11 Productions—discuss how and why puppets ended up in their play about Albert Einstein, the meaning of “bio-epic,” cross-continental collaboration, impossibility, how to integrate Einstein’s concepts into the presentation of your show, “fluidity,” using real math onstage, and how their ensemble plays together on the journey of creating their work.

“…it’s like playing with gravity…”

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Patrick Vermillion and Emily Jackson of “Jessica”

Sanguine Theatre Company presents JESSICA, written by Patrick Vermillion, directed by Emily JacksonListen in as two of the creators behind Sanguine Theatre Company‘s world-premiere production of Jessica—playwright Patrick Vermillion and director Emily Jackson—discuss justifying your narrative, Sanguine’s “Project Playwright” process, why their AI story focuses on the building process, confronting the truth, the morality of technology, and what makes us human.

“…I wanted to create a sci-fi piece for the stage mostly because I was watching these really old, kinda shitty…[but] super-relevant, very socially-interesting television shows, with virtually no budget. It’s so much your imagination…kind of like with theatre…”

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Chris Harcum & Aimee Todoroff of “Martin Denton, Martin Denton”

Elephant Run District and FRIGID at Horse Trade present MARTIN DENTON, MARTIN DENTON, written by Chris Harcum, directed by Aimee TodoroffListen in as the Elephant Run District team of Chris Harcum, playwright & performer, and Aimee Todoroff, director, of the company’s new show Martin Denton, Martin Denton, discuss finding safety and meaning in a community, “love,” the validity of our work, the ways in which our productions can live forever, how and why we do this thing called “indie theatre,” and more about this love letter to the scene.

“…what we’re doing is creating life, and then giving life back. And for me, one of the people who was there, and kind of charted what I was doing—and for whom I felt this very deep connection, and this person who, if he didn’t see my show, it felt like it did not happen—needed his story told.”

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David Carl & Michole Biancosino of “Trump Lear”

Horse Trade Theater Group and Project Y Theatre Company presents TRUMP LEAR at Under St. Marks, created by David Carl and Michole BiancosinoListen in as the co-creators of Trump Lear, writer/performer David Carl & director Michole Biancosino, discuss their collaboration to put this piece together, playing Trump (and finding a way around the fact that Trump is inherently not funny), complicity, how to avoid preachy political theatre, tearing yourself down in your own piece, the importance of an excellent technician at the board, and the benefit of doing solo shows.

“…yeah, Trump and Shakespeare don’t really go together, usually…”
“Well, it works really well, in this instance…”

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Jeff Wise, David Kenner, and Michael Schantz of “An Enemy of the People”

Wheelhouse Theater Company presents Henrik Ibsen's AN ENEMY OF THE PEOPLE, directed by Jeff WiseListen in as Wheelhouse Theater Company founders Jeff Wise, who also directs the show, and actors David Kenner and Michael Schantz, discuss the company’s production of Ibsen’s An Enemy of the People, rebuttal plays, parallels to today (the phrase “drain the swamp” is in the text—seriously), reactions to overtly political plays that aren’t political screeds, the toxicity of forced conformity, and letting the audience draw their own conclusions.

“…the thing that really motivated me to do this play, the theme that I think stands out the most, is this idea of what it takes to step outside the collective, and have a new idea. And that is something that I think Ibsen was directly pointing at…”

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Stacy A. Donovan, Tali Custer, Julia Hansen, & Ellen Jenders of “That Which Remains”

Improbable Stage presents THAT WHICH REMAINS, adapted from Titus Andronicus, directed by Stacy A. DonovanListen in as Improbable Stage Artistic Director Stacy A. Donovan, who also directs the company’s current production of That Which Remains (adapted from Shakespeare’s Titus Andronicus), joined by performers Tali Custer, Julia Hansen, and Ellen Jenders, discuss the company’s unique approach to casting, meeting your new collaborators through free workshops, finding contemporary music for your mid-show dances, being open to changes, and how to get bloody without actually getting bloody (hint: the answer to everything is “collaboration”).

“…I was like, ‘how can I get my hands on Tarantino?’ And I thought, the best way would be Shakespeare’s bloodiest: Titus…”

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