Ken Urban, Benjamin Kamine, James Kautz, and Sean Patrick Monahan of “Nibbler”

The Amoralists present NIBBLER, written by Ken Urban, directed by Benjamin KamineListen in as Nibbler playwright Ken Urban, director Benjamin Kamine, Artistic Director of The Amoralists (and actor in the show) James Kautz, and fellow actor Sean Patrick Monahan discuss expanding your one-act, vulnerability, meeting the challenges of a show, looking for hope in dark times, getting “nauseatingly close” with your collaborators, songwriting for your script, just how autobiographical this dark comedy gets, and “pulling it off.”

No spoilers.

“…I’m going to paraphrase you, but I think it was something like, ‘can’t they just sit there and sing?'”
“I think that is what I said, ‘Can’t they just be still?’…”

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Tony Torn, Will Dagger, and Alley Scott of “Latter Days”

Dutch Kills Theater Company presents LATTER DAYS by Ben BeckleyListen in as actors Tony Torn and Will Dagger of Ben Beckley’s Latter Days, along with Artistic Director of Dutch Kills Theater Company Alley Scott, discuss makeup mishaps, referencing Beckett & Don Quixote, finding the perfect prop toilet when you’re out with friends, creating an original theology for your show, and belief, expectation, fantasy, reality, and father figures.

“…finding yourself somebody who’s desperate to believe in transcendence of sorts, and also, coming up against your own inherent skepticism…”

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Ross Williams of NYSX’s “Much Ado About Nothing,” plus talkback with Shane Breaux and Dr. Jaime Wright

New York Shakespeare Exchange presents MUCH ADO ABOUT NOTHINGListen in as New York Shakespeare Exchange Artistic Director and director of Much Ado About Nothing, Ross Williams, discusses finding resonance with the “fake news” of today in Shakespeare, getting rid of unnecessary jokes, blending characters (and why you might want to), achieving a sense of inclusion with your audience, and getting around having all those pesky messengers in Much Ado.

…and, after the brief interview with Ross, stay tuned for a recording of the post-show talkback between him, Dr. Jaime Wright, Associate Professor at St. Johns University, and the show’s dramaturg Shane Breaux.

“…Shakespeare was all about the exchange between the audience and the players, and I think all too often, Shakespeare done contemporarily is done with our contemporary understanding of the fourth wall…what I really like to encourage is a sense of exchange between the audience and the actors…”

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Genny Yosco, Zachary Millard, and Chris Weigandt of “A Fifth Dimension”

Sour Grapes Productions presents A FIFTH DIMENSION, An Unauthorized Twilight Zone Parody, written by Genny Yosco, presented as part of FRIGID Festival 2017Listen in as playwright, director, and performer Genny Yosco of A Fifth Dimension: An Unauthorized Twilight Zone Parody, along with fellow actors Zachary Millard and Chris Weigandt, discuss overacting the overacted, casting young actors, making your own opportunities, producing out of bitterness and hatred, and finding the horrifying contemporary relevance of your parody show.

“…it really took on a life of its own…each show that we do, we add our own lifeblood to it, it’s new every time…”

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Becky Baumwoll & David Jenkins of “See Reverse”

Broken Box Mime Theater presents SEE REVERSEListen in as performers Becky Baumwoll and David Jenkins of Broken Box Mime Theater discuss working in the brand-new Gural Theatre in midtown, starting from naturalistic acting, how the company makes an evening from a series of smaller pieces, mime as free jazz, paring down your gestures to streamline a story through movement, wearing matching shoes, when giving line readings is ok (and preferred), and why you might want to rehearse with an audience.

“…something about the efficiency unlocks a huge amount of possibility for us as storytellers…there’s something about not having words that invites the audience to really immerse themselves in what’s happening. And, when you are building invisible objects, or interacting with an invisible costume, or a prop, the audience, in order to understand, has to fill in that blank…We’re using your imagination as our palette to create the story…”

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Alley Scott, Jean Ann Douglass, and Lori Parquet of “The Providence of Neighboring Bodies”

Dutch Kills Theater Company presents THE PROVIDENCE OF NEIGHBORING BODIES by Jean Ann DouglassListen in as Dutch Kills Theater Company Artistic Director Alley Scott, playwright Jean Ann Douglass, and actor Lori Parquet discuss The Providence of Neighboring Bodies, making work with your friends, inspiration from your hometown, how place informs character, different models for creating a production, and the magic & supportiveness of the indy theatre community.

“…the great thing about independent theatre is that the people who come to see independent theatre are very with you, and are willing to work with you…”

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Jeff Wise and David Kenner of “DANNYKRISDONNAVERONICA”

Wheelhouse Theater Company presents DANNYKRISDONNAVERONICAListen in as DANNYKRISDONNAVERONICA director Jeff Wise, along with fellow company member David Kenner, discuss the approaching mid-life crisis, describing your play like an iceberg, heavy rooms, the future of Wheelhouse Theater Company, searching for technical interns, and finding your personal joy.

“…we’re really just honing in on who we are. Rather than talking about it, and saying ‘this is who we wanna be, now let’s do that,’ we’re just throwing it against the wall, and being, like, ‘what do we like? what do we not like?’ and we’re continuing to refine ourselves vis a vis the work…”

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Skylar Fox & Simon Henriques of “Providence, RI”

Nightdrive presents PROVIDENCE, RI at The TankListen in as the co-creators of Providence, RI, Skylar Fox (who directs) and Simon Henriques (who performs in the show) discuss their company Nightdrive‘s process, why they used Providence as their subject (and what it was like to explain the place to someone who’s never been there), misdirecting your audience, and where their piece fits in the world in January 2017.

“…we’re actually trying to do new things to communicate in uniquely effective ways with an audience…”

“Yeah, we’re trying to do experimental theatre that’s FUN…” Continue reading

Charlotte Ahlin, Emily Lyon, Danielle Cohn, and Jacque Emord-Netzley of “The Summoning”

Fat Knight Theatre presents THE SUMMONING, written by Charlotte Ahlin, part of Winterfest 2017Listen in as The Summoning playwright & actor Charlotte Ahlin and director Emily Lyon, later joined by the rest of the cast, Danielle Cohn and Jacque Emord-Netzley, discuss inspiration from college issues, finding the rhythm of the play, feeling the pull of the dark forces of the occult, the benefit of working with friends when you’re working with constraints, and why you gotta make ’em laugh.

“…I think a lot of those insecurities that everyone feels go into this…and then, of course, the natural extension of that is, when you’re afraid of the unknown of the future…you’re going to want to summon some demon-spawn from hell to protect you…” Continue reading

Kristin McCarthy Parker, Nick Abeel, and Kyle Schaefer of “KEVIN!!!!!”

Recent Cutbacks presents KEVIN!!!!! at The PITThe mad comedic & theatrical geniuses of Recent Cutbacks are back with a holiday show—and given the title of KEVIN!!!!!, you can probably figure out which Chris Columbus classic they’re covering this time around.

As with their wonderful past shows covered by GSAS!—Hold on to Your Butts and Fly, You Fools!—the team has made something at once instantly recognizable and wonderfully original that had the audience on the night I attended rapt, awestruck, laughing hysterically, and yet still touched by heartwarming holiday feels.

Listen in as the core company of director Kristin McCarthy Parker and actors Nick Abeel & Kyle Schaefer discuss the process of making this wonderfully creative piece, nostalgia, “making your stuff and putting it out there,” creating an experience that’s a shared communal joy among audience and performer, and why the world might need this kind of show right now.

“…we’re not giving you all of the pieces. We’re giving you 5 out of 10, or 8 out of 10, maybe sometimes, of the pieces. But you’re doing the last little bit to realize it in your mind. And I think that level of engagement with the piece…is such an enjoyable way to watch theatre…”

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