Dan Kitrosser of “HOMOS! A Solo Disaster Musical, Bitch”

HOMOS! A Solo Disaster Musical, Bitch by Dan Kitrosser, directed by Kyle Metzger, at The Stonewall InnListen in as Dan Kitrosser, playwright and performer of HOMOS! A Solo Disaster Musical, Bitch, discusses eerie timing, controlling the audience, fun Tony Kushner references, integrating children’s theatre performing techniques, the need for clowns, finding where you fit in the world, and distilling down your large-scale musical to be done by yourself (because scheduling is hard).

“…for so many years, I was like, ‘okay, I do that kind of performance, then I have my plays,’ and those are two different things. And I realized that, that in and of itself creates an antagonistic structure…I’m interested in what happens if we redefine what theatre is…”

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Blake Habermann & Jae Woo of “Take Shape”

Broken Box Mime Theater presents TAKE SHAPE at the Gural TheatreListen in as Blake Habermann & Jae Woo, performers in Broken Box Mime Theater‘s newest show Take Shape, discuss being prepared, music for mime, outbursts from toddlers, the benefits and difficulties of being a mime when masked, making some last-minute adjustments pre-show, breaking through language barriers, and making theatre accessible to as many people as possible.

“…we’ve been working on accessibility as part of our approach for all of our productions…being more inviting to different kinds of populations, people with different kinds of needs to come into the theater…”

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Rachel Cohen, Heather Cornell, Lynn Wright, & Jon Harper of “Tilt”

Racoco Productions presents TILT, written, directed, and choreographed by Rachel Cohen, at the Abrons Arts CenterListen in as TILT creator, choreographer, director, & performer Rachel Cohen, along with tap dancer Heather Cornell, composer Lynn Wright, and lighting designer Jon Harper discuss constructing your reality, creating a feast for the senses, a tight structure overlain with chaos, scaling your show, the sound of sandpaper and wood, pinball, and brilliant, delusional minds.

“…when you start to work on Don Quixote, and…you think about it, you realize, ‘oh my God, this is me’…as artists, too, you just keep trying to fight these windmills, and no matter how many times you get knocked down, you get back up, and you keep going…”

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Winsome Brown and Sean Hagerty of “Hit the Body Alarm”

HIT THE BODY ALARM created and performed by Winsome BrownPerformer Winsome Brown weaves text from Paradise Lost with original monologues from herself and co-director Brad Rouse to create an original work “about fucking up,” as she puts it, with her wild and affecting solo show Hit the Body Alarm.

Scored with music by downtown legend John Zorn, plus original, live sound-design by Sean Hagerty, the performance moves from Heaven to Brooklyn to Los Angels to the Garden of Eden, distilling prime points of Milton’s epic into a kind of performance that can resonate with the world we’re in today.

Listen in as Winsome and Sean discuss their collaboration in creating as well as performing the show, feelings of loss, not hiding before (or during) your show, borrowing props from your daughter, designing for your space, and how to show the devil falling from heaven onstage.

“…it’s a show about people who’ve done dreadful things by their own acts…and on a grander scale…I kind of feel that it’s about our world, that we are on the verge of fucking up, fucking up very dreadfully…” Continue reading