Tana Sirois & Maria Swisher of “Crushing Baby Animals”

CRUSHING BABY ANIMALS, created and performed by Maria Swisher & Tana Sirois, presented by Dirt [Contained] at the Plaxall GalleryListen in as the creators & performers of Crushing Baby Animals, Maria Swisher & Tana Sirois, discuss amazing synchronicity, combining genres in a multi-dimensional world, structured improv, cross-pollination among artists, “stylistic dis-integrity,” making space for the chaos and the wonder, how to build intense trust with your artistic collaborators, how to stick through the difficult stuff, and how “our sense of self is shaped by the people around us.”

“…stay with the trouble…something that we have learned is even when things feel very uncomfortable, or when you find yourself having to ask something that’s difficult of your partner […] and consistently make the decision to stick with it, and to experience what feels troubling and complicated, and know that you have a shared goal of moving past it […] and let that influence your work, and accept each other for that…”

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Rachel Cohen, Heather Cornell, Lynn Wright, & Jon Harper of “Tilt”

Racoco Productions presents TILT, written, directed, and choreographed by Rachel Cohen, at the Abrons Arts CenterListen in as TILT creator, choreographer, director, & performer Rachel Cohen, along with tap dancer Heather Cornell, composer Lynn Wright, and lighting designer Jon Harper discuss constructing your reality, creating a feast for the senses, a tight structure overlain with chaos, scaling your show, the sound of sandpaper and wood, pinball, and brilliant, delusional minds.

“…when you start to work on Don Quixote, and…you think about it, you realize, ‘oh my God, this is me’…as artists, too, you just keep trying to fight these windmills, and no matter how many times you get knocked down, you get back up, and you keep going…”

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Alex Randrup, Conrad Kluck, Gavin Myers, Cayenne Douglass, & Daniella Caggiano from “FEAST: A Performance Series”

Conrad Kluck, Alex Randrup, and Horse Trade Theatre Group present FEAST: A Performance Series at UNDER St. Marks TheaterListen in as the co-producers & curators of FEAST: A Performance Series, Conrad Kluck & Alex Randrup, along with several artists from the January 2019 edition of the series, playwright Cayenne Douglass, director Daniella Caggiano, and choreographer Gavin Myers, discuss encouraging cross-discipline collaborations, hearing from your high school bully, the excitement of eclectic evenings, finding creative partners, the art of the everyday, and growing community through art.

“…one of the things we wanted to put a high priority on is trying to create some kind of community base, for our artists to be able come back, and continue developing a project, or develop something new, or just have a home base…but also, art can’t exist without art-lovers, and the people in the audience. Both of those spaces are just as important…”

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Chesney Snow & Rebecca Arends of “The Unwritten Law”

THE UNWRITTEN LAW, created and performed by Chesney Snow with direction and choreography by Rebecca Arends, at Dixon PlaceListen in as The Unwritten Law co-creator & performer Chesney Snow, along with co-creator, director, performer & choreographer Rebecca Arends, discuss working with collaborators who can help turn your story into art, making “something different,” microphones and music, “the magic that happens between people onstage,” American issues, and how sound and movement come together to tell this very personal story.

“…I tell people, they’re coming to see a story of America…we’re looking at black life, and I’m hoping they’ll be able to follow the journey of where we’ve come from…I don’t want to preach at people, but I would love for people to hear the story, and maybe they’ll have a different perspective on some of the things that are happening today…”

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Katie Palmer and Paul Bedard of “The Debates”

Theater in Asylum presents The DebatesTheater = Politics = Theater = Politics

If you’ve seen that equation on a t-shirt around the independent theatre world in NYC of late, then you’ve seen someone who’s worked on or seen Theater in Asylum‘s ever-changing The Debates.

It’s the perfect slogan for a project theatricalizing the Democratic Presidential Primary debates, with the intent to bring theatre people to the political process, and political people into the theater—and it sounds like the project is doing its intended work.

GSAS! sat down with the show’s director, Paul Bedard, and choreographer, Katie Palmer, to discuss how they trained their team, how to balance a scene, how to handle material that’s moving so quickly, why they’re focusing on only the Democratic Party, the actual differences between Hillary and Bernie (and how to present them fairly), and “who am I, who are you, who are we.”

I think one of the reasons people stay out is that it seems like such a big thing, that if, “I’m not in it already, it’s just too much to learn, and I don’t want to get involved.” And I think people stay away from theaters for the same reason…”I couldn’t possibly understand what’s happening in this theater”…and I think we’ve tried to take the fear and the elitism out of both of those avenues, saying that, “you can engage in both things, here’s some helpful tools…”

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Edward Einhorn, Patrice Miller, and Gyda Arber of “Money Lab”

Untitled Theater Company #61 presents MONEY LAB at HERE Arts CenterIf you’re listening to this podcast, then it’s very likely you’re all-too-familiar with the sometimes-insurmountable-seeming economic barriers to creating independent theatre in New York (for info on some of the groups that are working to make it better, go back and listen to GSAS! Episode 150, on the Crisis to Creation Town Hall event).

But what about actively exploring economic realities on stage, as part of your theatre? How would you do that?

Economists said it wouldn’t be possible, but Untitled Theater Company #61‘s Edward Einhorn has proven them wrong with Money Lab. Billed as “an economic vaudeville,” you’re in for a night of scenes, music, dance, and performance around economic themes, running in a repertory style with different bills each night, all while two economies are created for (and by) the audience, and tracked in real-time.

Listen in as Edward, along with choreographer & assistant producer Patrice Miller and co-creator of the economic game performance Gyda Arber, discuss how you find an economist to perform in your independent theatre piece, finding the meaning of abstract economic terms through dance, determining the value of an artist’s time, and bailouts after bad bets by audience-members. Continue reading

James Rutherford, Laura Butler Rivera, and Jon Froehlich of “All That Dies and Rises”

M-34 and Cloud of Fools present All That Dies and RisesWhat do you do when, almost a year into development of a play, the play disappears?

You could cut and run. Or, you could rally the team you’ve assembled, and make something else. Something grounded in the work you’ve done up to that point—but also, something beautifully unique.

That’s just what happened to the team behind M-34 and Cloud of Fools Theater Company‘s All That Dies and Rises; listen in as director James Rutherford, choreographer Laura Butler Rivera, and performer Jon Froehlich discuss making rorschach blots, why we’re here, focusing on the excitement, and the wisdom of Peter Brook.

“…if it’s too abstract, it doesn’t work. It needs to look enough like something that your mind tries to figure it out, but not enough like anything that your mind is able to succeed…”

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