Julie Congress, Ryan Emmons, Steven Conroy, and Enrico de Trizio of “Friends Call Me Albert”

No. 11 Productions presents FRIENDS CALL ME ALBERT, written by Zachary DesmondListen in as some of the team behind Friends Call Me Albert—performers Julie Congress and Steven Conroy, director Ryan Emmons, and musician Enrico de Trizio, all members of the ensemble of No. 11 Productions—discuss how and why puppets ended up in their play about Albert Einstein, the meaning of “bio-epic,” cross-continental collaboration, impossibility, how to integrate Einstein’s concepts into the presentation of your show, “fluidity,” using real math onstage, and how their ensemble plays together on the journey of creating their work.

“…it’s like playing with gravity…”

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Winsome Brown and Sean Hagerty of “Hit the Body Alarm”

HIT THE BODY ALARM created and performed by Winsome BrownPerformer Winsome Brown weaves text from Paradise Lost with original monologues from herself and co-director Brad Rouse to create an original work “about fucking up,” as she puts it, with her wild and affecting solo show Hit the Body Alarm.

Scored with music by downtown legend John Zorn, plus original, live sound-design by Sean Hagerty, the performance moves from Heaven to Brooklyn to Los Angels to the Garden of Eden, distilling prime points of Milton’s epic into a kind of performance that can resonate with the world we’re in today.

Listen in as Winsome and Sean discuss their collaboration in creating as well as performing the show, feelings of loss, not hiding before (or during) your show, borrowing props from your daughter, designing for your space, and how to show the devil falling from heaven onstage.

“…it’s a show about people who’ve done dreadful things by their own acts…and on a grander scale…I kind of feel that it’s about our world, that we are on the verge of fucking up, fucking up very dreadfully…” Continue reading

Lizzy Beth Elkins, Kathy Huynh-Phan, Peter J. Wallace, and Drew Nungesser of “The Anger in Ernest & Ernestine”

"The Anger in Ernest and Ernestine"What do you do when you’re graduating from a respected, traditional acting program, and you make your own theatre company?

If you’re actors Peter J. Wallace and Kathy Huynh-Phan and sound designer Drew Nungesser, you do a clown show in The Fringe. And you get the awesome Lizzy Beth Elkins to direct it.

Listen in as Lizzy, Peter, Kathy and Drew discuss directors auditioning for actors, clowning, Al Gore & the internet, and welcoming your sound designer into the rehearsal room. Plus, suspenders are snapped, live, on-air.

“…part of what I’m attracted to for theatre is, let’s see if we can be truthful and tell great stories, but then also kind of make it a party…”

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