Jaclyn Biskup & Braeson Herold of “Worse Than Tigers”

The Mill Theatre presents WORSE THAN TIGERS, written by Mark Chrisler, directed by Jaclyn Biskup, at The New OhioListen in as Worse Than Tigers producer/director Jaclyn Biskup and actor Braeson Herold discuss collegiate connections, “Who’s Afraid of Virginia’s Rhinoceros?,” using your space, how to play an insufferable drip (hint: kindness & generosity), unexpected journeys, the importance of openness & trust in your rehearsal room, and “sausage casing” as metaphor.

“…I really like to direct absurdism the same way that one would direct realism, because I feel like it’s a really fine line. And I think today, our lives are very fu**ing absurd…”

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Joy Marr, Nancy Nichols, Joel Leffert, & Kurt Kingsley of “All’s Well That Ends Well” and “King Lear”

Hip to Hip Theatre Company presents William Shakespeare's ALL'S WELL THAT ENDS WELL, directed by Owen Thompson, and KING LEAR, directed by Jason MarrListen in as actors from Hip to Hip Theatre Company‘s productions of All’s Well That Ends Well and King LearJoy Marr, Nancy Nichols, Joel Leffert, & Kurt Kingsley—discuss grabbing the audience from the start, weathering the storm (“rain-pace!”), the esprit de corps of their hard-working company, children’s birthday parties at the theater, designing and preparing for a traveling show, what they love about working with Hip to Hip, and sending your audience away smiling, even after getting rained on.

“…it’s Shakespeare. There’s so much to listen to, there’s so much wonderful stuff…but it’s the basic emotions, it’s love, and hate, and jealousy, and I want that…”

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Sarah Shear, Aaron Mauck, Adrian Abel Amador, & Jay Cobian of “Scum”

SCUM, a new play by Sarah Shear, directed by Javan NelsonListen in as playwright & performer of Scum, Sarah Shear, along with fellow cast members Aaron Mauck, Adrian Abel Amador, & Jay Cobian, discuss nuclear overlay maps, Bartle’s Taxonomy of Players, playing against type and finding commonality with your character, emotional vs. physical labor, personal playwriting challenges, doomsday prep, healthy compromise, and just what scum is, both externally and internally.

“…the reason why I think Scum is a little bit more universal […] is because it’s really about personal politics, more than anything else. It’s about how do we operate, and how do we, essentially, love each other…”

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Vince Gatton, Jordana Williams, & Tyler M. Perry of “Alexandria”

Sanguine Theatre Company presents ALEXANDRIA, written by Vince Gatton, directed by Jordana Williams, at IRT TheaterListen in as Alexandria playwright Vince Gatton, along with director Jordana Williams and set/lighting designer Tyler M. Perry, discuss grabbing the audience with words, curating our modern campfire stories, how to keep your play’s young character off his phone, “eavesdropping on the internal arguments happening in Christian America,” the struggle between the analog and the digital, trying to give gifts of love between characters, and hooking audiences with the immediacy of indie theatre.

“…I feel like this play asks a really timely question, in a very compassionate, sensitive way […]. At a certain point what you’re tolerating is sort of what you’re permitting, and where do you draw the line and what’s ok and what stand should you take, and when should you shut somebody down? And I don’t know the answer, and it’s something that I struggle with, and I love how honestly the play grapples with that…”

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David De Almo, Susanna Wolk, & Kelly McCready of “Sex Object”

Penal Colony presents SEX OBJECT, written by Charlie Falkner, directed by Susanna Wolk, at The PIT LoftListen in as the co-producers & performers of the U.S. premiere of Charlie Falkner’s Sex Object, David De Almo & Kelly McCready, along with director Susanna Wolk, discuss bringing this Australian play to the States, embracing the space, “how you perceive yourself and how you’re presenting yourself to the world,” having the audience on your side, sibling relationships, sex-shop sponsorship, and what a Black Mirror episode might look like in real life.

“…marrying all the different comedic elements to the heartfelt core was something that was really exciting to me about this play…”

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Daniel McCoy, Heidi Handelsman, & David Hilder of “Perfect Teeth” and “Dick Pix”

Richard Pictures presents and TLab Shares hosts, in association with Anne L. Bernstein, two plays by Daniel McCoy, PERFECT TEETH, directed by David Hilder, and DICK PIX, directed by Heidi HandelsmanListen in as playwright Daniel McCoy, and the directors of his plays Perfect Teeth, David Hilder, and Dick Pix, Heidi Handelsman, discuss running in rep two shows that are completely stylistically different, why these plays are right for the current moment, longtime collaborations, “gender spaghetti,” love for your design team, working in oddly perfect spaces, and solving issues with your creative collaborators.

“…there’s just a lot that isn’t talked about as readily or as publicly as it should be, and so that’s one of the things that I hope the play sort of cracks open a little bit…”

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Christine Hamel & Jake Murphy of “Brecht on Brecht”

PTP/NYC presents BRECHT ON BRECHT, a theatrical collage, culled from the writings of Bertolt Brecht, assembled from his works by George Tabori, directed by Jim PetosaListen in as Christine Hamel and Jake Murphy, members of the cast of PTP/NYC‘s new production of Brecht on Brecht, discuss how they found their version(s) of the George Tabori collage, “balancing the dark and the light” of the opposites inherent to Brecht’s theories, relevance, audience reactions to Epic Theatre, how the production has changed in the 18 months between presentations, and speaking truth to power in 2018.

“…it’s interesting, because if one of the purposes of theatre in this style is to activate, and wake people up, one of the questions I have is […] to do what? What do we want them to do? Waking up is the first thing…”
“…and not being seduced by normalizing our current reality, pointing it out for the horror it is…”

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Alex Randrup, Samantha Clark, & Bonita Jackson of “Corey and Vanessa Present an All-Female Educational Touring Production of Of Mice and Men”

The Tank and FEAST present Corey and Vanessa Present an All-Female Educational Touring Production of Of Mice and Men, a collaboratively devised work directed by Alex Randrup, at The Tank NYCListen in as performers Bonita Jackson and Samantha Clark, along with director Alex Randrup, of Corey and Vanessa Present an All-Female Educational Touring Production of Of Mice and Men, discuss how they devised the show (“putting wonderful, badass, creative ladies in a room together”), making your collaborators laugh, getting out of the way or your collaborative process, and “power, performance, learning to trust your scene partner, and learning to trust yourself.”

“…is there a way that we could dig into the fields of feminism, and womanhood, and humanity today, and the things that we know best—which is creating a production—and dealing with it. Could we dig up some kind of tool, or weapon, that an audience member could take out with them to smash the patriarchy, or to fix the democracy, or to do something really active…”

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Jonathan Hopkins & Beth Ann Hopkins of Smith Street Stage’s “A Midsummer Night’s Dream”

Smith Street Stage presents A MIDSUMMER NIGHT'S DREAM, directed by Jonathan HopkinsListen in as Smith Street Stage‘s Executive Director (and director of this show) Jonathan Hopkins, and Beth Ann Hopkins, Artistic Director (& “Titania”), discuss their new production of A Midsummer Night’s Dream in Carroll Park, why this was the right year for the company to produce this comedy, playing to a large & diverse audience, going beyond actor voice for the outdoor stage, the overlap of personal/professional partnerships, making original music & sound, advice for producing in public places, and why it’s important to be an active part of the community you’d like to perform in.

“…I think last year, we tried to afflict the comfortable, and this year we’re trying to comfort the afflicted…”
“…although this is not a ‘Midsummer’ of just clowns and fools, there’s a lot of deeper ground that we’re digging…”
“…it’s a play about the power of art to change people, and bring people outside of the normal boundaries, and it’s a play about how people change themselves, and the circumstances in which people are changed…”

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Jessica Burr of “This is Modern Art”

Blessed Unrest presents THIS IS MODERN ART, written by Idris Goodwin and Kevin Coval, directed by Jessica BurrListen in as Jessica Burr, Artistic Director of Blessed Unrest and director of the company’s new production of This is Modern Art, discusses grabbing opportunities when they’re presented, how they “bombed” (graffiti-style) their set, getting invited into “the institution,” the company’s mission and what they’re up to next, the importance of having an incredible team, and “who gets to decide what art is, and where it goes.”

“…we decided that [it] had to be true to the act itself, in that it needed to be difficult, it needed to be physical, and there needed to be time pressure…and it needed to be fun, and we needed to be able to play loud music.”

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