Becky Baumwoll & David Jenkins of “See Reverse”

Broken Box Mime Theater presents SEE REVERSEListen in as performers Becky Baumwoll and David Jenkins of Broken Box Mime Theater discuss working in the brand-new Gural Theatre in midtown, starting from naturalistic acting, how the company makes an evening from a series of smaller pieces, mime as free jazz, paring down your gestures to streamline a story through movement, wearing matching shoes, when giving line readings is ok (and preferred), and why you might want to rehearse with an audience.

“…something about the efficiency unlocks a huge amount of possibility for us as storytellers…there’s something about not having words that invites the audience to really immerse themselves in what’s happening. And, when you are building invisible objects, or interacting with an invisible costume, or a prop, the audience, in order to understand, has to fill in that blank…We’re using your imagination as our palette to create the story…”

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The Playwrights & Directors of “The Refugee Plays”

THE REFUGEE PLAYS in The Frigid Festival 2017Listen in as playwrights Charles Gershman (also the Artistic Director of the producing company, Snowy Owl), Callie KimballCarlos Castro, and Sean E. Cunningham, as well as directors Rachel Dart, Logan Reed, and Dan Dinero, discuss the influence of current events, tragedy in timeless stories, superficial logic, how the outside world seeps into the rehearsal room, ethical casting, how to unite a series of short plays, and what theatre is supposed to do in difficult times.

“…I don’t think any of us want to have to write plays about topics like these, but things are pretty bad right now, and so I think we all responded to the sort of global call to draw attention to an issue that we think is important right now…”

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Alley Scott, Jean Ann Douglass, and Lori Parquet of “The Providence of Neighboring Bodies”

Dutch Kills Theater Company presents THE PROVIDENCE OF NEIGHBORING BODIES by Jean Ann DouglassListen in as Dutch Kills Theater Company Artistic Director Alley Scott, playwright Jean Ann Douglass, and actor Lori Parquet discuss The Providence of Neighboring Bodies, making work with your friends, inspiration from your hometown, how place informs character, different models for creating a production, and the magic & supportiveness of the indy theatre community.

“…the great thing about independent theatre is that the people who come to see independent theatre are very with you, and are willing to work with you…”

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Kristin Heckler, Sarah Raimondi, Jacob-Sebastian Phillips, & Pauline Sherrow of “Exposed”

Recognize Theatre presents EXPOSEDListen in as Exposed creator and director Kristin Heckler, along with the cast & co-creators, Sarah Raimondi, Jacob-Sebastian Phillips, and Pauline Sherrow, discuss getting over your prejudices, development with your actors, becoming friends with your show’s real-life protagonist, audience reactions to a show about porn (like recognizing the entire porn soundtrack…), playing depravity with humanity, and why porn isn’t something that just exists behind a screen.

“…the subject matter is intense, and I’ve been very pleased that we’re getting audiences that are having authentic reactions, and allowing themselves to feel it…I think we’ve created a safe space for people to experience all of those emotions…everybody is allowed to have their own experience, and it seems to be leaving a message.”

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Kevin R. Free, Matthew Trumbull, and Rocío Mendez of “Marian, or, The True Tale of Robin Hood”

Flux Theatre Ensemble presents MARIAN, OR, THE TRUE TALE OF ROBIN HOOD by Adam Szymkowicz, directed by Kelly O'Donnell, at The New OhioListen in as actors Kevin R. Free and Matthew Trumbull, along with fight choreographer Rocío Mendez of Flux Theatre Ensemble‘s new show, Marian, or, The True Tale of Robin Hood discuss exploring the binary, realizing you’re on the wrong team, conformity vs. finding your tribe, cuckoo-birds in power, not working so hard to make yourself irresistible, and being in a room together through the dark times.

“Even joy these days seems somewhat defiant…the joy of the show is a statement, too. We live in times where allowing yourself to laugh is a political act, because it feels like we’re not supposed to…it feels like a bit of a revelation when people come here, and realize, ‘oh, I forgot about comedy…I forgot about what it’s like to release in that way…'”

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Jeff Wise and David Kenner of “DANNYKRISDONNAVERONICA”

Wheelhouse Theater Company presents DANNYKRISDONNAVERONICAListen in as DANNYKRISDONNAVERONICA director Jeff Wise, along with fellow company member David Kenner, discuss the approaching mid-life crisis, describing your play like an iceberg, heavy rooms, the future of Wheelhouse Theater Company, searching for technical interns, and finding your personal joy.

“…we’re really just honing in on who we are. Rather than talking about it, and saying ‘this is who we wanna be, now let’s do that,’ we’re just throwing it against the wall, and being, like, ‘what do we like? what do we not like?’ and we’re continuing to refine ourselves vis a vis the work…”

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Skylar Fox & Simon Henriques of “Providence, RI”

Nightdrive presents PROVIDENCE, RI at The TankListen in as the co-creators of Providence, RI, Skylar Fox (who directs) and Simon Henriques (who performs in the show) discuss their company Nightdrive‘s process, why they used Providence as their subject (and what it was like to explain the place to someone who’s never been there), misdirecting your audience, and where their piece fits in the world in January 2017.

“…we’re actually trying to do new things to communicate in uniquely effective ways with an audience…”

“Yeah, we’re trying to do experimental theatre that’s FUN…” Continue reading

Charlotte Ahlin, Emily Lyon, Danielle Cohn, and Jacque Emord-Netzley of “The Summoning”

Fat Knight Theatre presents THE SUMMONING, written by Charlotte Ahlin, part of Winterfest 2017Listen in as The Summoning playwright & actor Charlotte Ahlin and director Emily Lyon, later joined by the rest of the cast, Danielle Cohn and Jacque Emord-Netzley, discuss inspiration from college issues, finding the rhythm of the play, feeling the pull of the dark forces of the occult, the benefit of working with friends when you’re working with constraints, and why you gotta make ’em laugh.

“…I think a lot of those insecurities that everyone feels go into this…and then, of course, the natural extension of that is, when you’re afraid of the unknown of the future…you’re going to want to summon some demon-spawn from hell to protect you…” Continue reading

Kilusan Bautista of “Transcend”

Kilusan Bautista of TRANSCENDListen in as Kilusan Bautista, the creator & performer of Transcend, discusses his transplant status, why his show mixes media & how it’s a conversation, the benefits of social media, creating a democracy with post-show discussions, and making art out of struggle.

“…hey, we’re here, and if we can connect, then so be it…but if we can’t connect, at least we can have some respect, and still be a part of this community, and…y’know, get through, get through this life.”

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Kristin McCarthy Parker, Nick Abeel, and Kyle Schaefer of “KEVIN!!!!!”

Recent Cutbacks presents KEVIN!!!!! at The PITThe mad comedic & theatrical geniuses of Recent Cutbacks are back with a holiday show—and given the title of KEVIN!!!!!, you can probably figure out which Chris Columbus classic they’re covering this time around.

As with their wonderful past shows covered by GSAS!—Hold on to Your Butts and Fly, You Fools!—the team has made something at once instantly recognizable and wonderfully original that had the audience on the night I attended rapt, awestruck, laughing hysterically, and yet still touched by heartwarming holiday feels.

Listen in as the core company of director Kristin McCarthy Parker and actors Nick Abeel & Kyle Schaefer discuss the process of making this wonderfully creative piece, nostalgia, “making your stuff and putting it out there,” creating an experience that’s a shared communal joy among audience and performer, and why the world might need this kind of show right now.

“…we’re not giving you all of the pieces. We’re giving you 5 out of 10, or 8 out of 10, maybe sometimes, of the pieces. But you’re doing the last little bit to realize it in your mind. And I think that level of engagement with the piece…is such an enjoyable way to watch theatre…”

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