Nancy Ma, Kim Wuan, David Lee Huynh, & Vin Kridakorn of “Warrior Sisters of Wu”

Pan Asian Repertory Theatre presents Warrior Sisters of Wu, written by Damon Chua, directed by Jeff LiuListen in as Warrior Sisters of Wu performers Nancy Ma, Kim Wuan, David Lee Huynh, & Vin Kridakorn discuss navigating and connecting times and traditions, how conflicts can grow relationships and solve problems, respect and love for the audience, the changing moment when you discover your character’s love for another, fighting as conversation, grounding your role in the personal, and the permission to be anything and everything.

“…a great deal of love should be able to hold conflict…”

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Jamal Abdunnasir, Lauren Larocca, and Peregrine Teng Heard of “Sheila”

The Associates present SHEILAListen in as three of the five company members of The Associates—director Jamal Abdunnasir, and performers Lauren Larocca & Peregrine Teng Heard—discuss their new collectively-devised “waking nightmare” Sheila, exploring the intersection of the mundane with the grotesque, the role of improvisation in their process, how they work with non-Associate associates, and why the company likes to make things just a little bit scary.

“…I think what we’ve found out about ourselves is that we write almost as much as we create in the room, that we all find a lot of value in putting down proposals on paper. Jamal happens to work a lot in stage directions, and I happen to work a lot in action, and then there’s dialogue people…the important thing is for everyone to be able to jump into all these characters…”

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Becky Baumwoll & David Jenkins of “See Reverse”

Broken Box Mime Theater presents SEE REVERSEListen in as performers Becky Baumwoll and David Jenkins of Broken Box Mime Theater discuss working in the brand-new Gural Theatre in midtown, starting from naturalistic acting, how the company makes an evening from a series of smaller pieces, mime as free jazz, paring down your gestures to streamline a story through movement, wearing matching shoes, when giving line readings is ok (and preferred), and why you might want to rehearse with an audience.

“…something about the efficiency unlocks a huge amount of possibility for us as storytellers…there’s something about not having words that invites the audience to really immerse themselves in what’s happening. And, when you are building invisible objects, or interacting with an invisible costume, or a prop, the audience, in order to understand, has to fill in that blank…We’re using your imagination as our palette to create the story…”

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