Tag Archives: Playwrights

Kallan Dana, Julia Greer, and Sarah Blush of “Racecar Racecar Racecar”

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The Hearth presents RACECAR RACECAR RACECAR, written by Kallan Dana, directed by Sarah BlushListen in as Racecar Racecar Racecar playwright Kallan Dana, director Sarah Blush, and producer/performer Julia Greer, discuss the open road of a script, symmetry & palindromic structures, complicated father relationships, creating breaks, emergency relocations, and taking road trips with your collaborators.

“…I’m a person who tries to talk and talk until I can get to what I mean, and I’m always failing. The words are always failing you. And so I think that feels like a really emotionally true thing for me, and that was part of the fun for generating the language in this play…”

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Fareeda Pasha, Dylan Lesch, Hana Fatima Dehradunwala, Amani Meliyah, & Aliyah Curry, of The Science in Theatre Festival

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Transforma Theatre presents The Science in Theatre Festival at Brooklyn Art HausListen in as performers Fareeda Pasha & Dylan Lesch, and Hana Fatima Dehradunwala, playwright of The Last Word, along with Amani Meliyah, director, and Aliyah Curry, playwright of Receptors, both plays in The Science in Theatre Festival, discuss responsibility, “doing the research” and having access to those who *did* the research, standing on the shoulders of giants, last words, making social media explode onstage, the insanity of being a human being, and the bleeding edge between theatre and science.

“There’s something wrong with the world…[we should be] treating this country we live in as a community, we’re all responsible for each other…”

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Rhys Luke, Sophia DiPaolo, Leah Davidowitz, Tits Morality, Chloe Drohan, & Eliana Coe of “Dave and Boris Kill the Cat”

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Listen in as Dave and Boris Kill the Cat playwright Rhys Luke, director Sophia DiPaolo, costumer Leah Davidowitz, and performers Tits Morality, Chloe Drohan, and Eliana Coe, discuss falling down rabbit holes, working on a show that features real people, queer horror, grotesque and disgusting mannerisms, drag & film noir, intergenerational cat trauma, & making everything larger than life.

“…there’s something so special about sending such a strong message, under the guide of comedy…to have audience members tell you is, ‘it was so funny, I laughed so hard,’ and then you know that they go home, and think a little bit more about it, and they realize what the show is really about…it’s such a joyful process, to work on something so meaningful, something so inclusive, and have a laugh while doing it…”

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Clay McLeod Chapman, Pete Boisvert, Stephanie Cox-Connolly, & Morgan Zipf-Meister of “Feejee Mermaid”

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Drops in the Vase presents FEEJEE MERMAID, written by Clay McLeod Chapman, directed by Pete Boisvert, at The Flea TheaterListen in as feejee mermaid playwright Clay McLeod Chapman, director Pete Boisvert, props & effects designer Stephanie Cox-Connolly, and actor Morgan Zipf-Meister, discuss finding a taxidermy consultant, love and hate, reconnecting with the scene, multiple hats, buying everyone the book, and making shit so you can make something live & breathe.

“…it’s about four people who are intersecting at a point in their lives where they love each other, hate each other…these are people who need each other to complete themselves, and achieve something greater than any one individual.”

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Matthew Freeman & Jessi D. Hill of “The Ask”

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Theatre Accident, in association with The Flying Carpet Theatre Company, present THE ASK, written by Matthew Freeman, directed by Jessi D. Hill, at The Wild ProjectListen in as The Ask playwright Matthew Freeman, and director Jessi D. Hill, discuss generational divides, pitching runtimes, writing from what you know in real life, finally getting to work together, what can happen when you see yourself onstage, failing and messing up and misspeaking, seeing both sides from the middle, flawed arguments, and writing for what the play needs.

“Every debate in the show is not some secret argument that’s only happening in the ACLU. Everyone talks about this stuff…”

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Kara Ayn Napolitano & Joy Donze of “In Search of Elaina”

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Drift In Act Out in association with Platt Productions presents IN SEARCH OF ELAINA, written by Kara Ayn Napolitano, directed by Joy Donze, at The Players TheatreListen in as In Search of Elaina playwright Kara Ayn Napolitano, along with director Joy Donze, discuss the vibes between them, making things happen, facing the difficult parts of yourself, strong female friendships, finding the right people for your ensemble, strong audience reactions, and why you should write what you know.

“…you said it at opening…this is a play about a lot of peoples’ people. I think that, when you bring your truth to the stage, as a collective humanity, we find that a lot of us can relate to that truth…”

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Sara Fellini, Adam Belvo, & Nicholas Thomas of “A Man Among Ye”

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Spit & Vigor presents A MAN AMONG YE by Sara Fellini, directed by Sara Fellini and Nicholas Thomas, at The Players TheatreListen in as writer/director/performer Sara Fellini, along with fellow actors Nicholas Thomas (co-director) and Adam Belvo (fight choreographer), discuss adding more balloons, doing the research, breast reveals, rowing in the same direction with your crew, the light with all the knowledge, lambs with faces, interesting translations, Tarantino’ing it, earning your rail jump, leaning into the “mistakes,” awesome wigs, and, of course, lady pirates.

“There’s so much value to it…if you’ve made the set yourself, if you’ve sewn your costume, you’re gonna care about it, you’re gonna know it more. You’re gonna love it. There’s nothing better, as an actor, than saying, ‘I made this’…”

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Alex Beige, Dante Green, & 김채송 Chaesong Kim of The Makers’ Enemble’s Short Play Festival

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The Tank and The Makers' Ensemble present Short Play Fest 2024Listen in as director 김채송 Chaesong Kim (Alien Play), playwright Alex Beige (Blackpilled, A Blueprint), and director Dante Green (Light + House) of The Makers’ Ensemble’s Short Play Festival, discuss immigration stores, where love stories meet ghost stories, playwrights writing plays about playwrights writing plays, capturing suffering, growth over time, and taking care of your artists.

“…every play felt like it ended too soon, like it was just the beginning of a learning experience…inviting you into an aspect of the playwright’s world, and leaving you with just enough to understand that you’re not alone, in whatever experience you have…”

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Kenneth Keng, Annaporva Green, & Chisom Awachie of “Brought Up”

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University Settlement presents BROUGHT UP, written by Kenneth Keng, directed by Annaporva Green, at Speyer HallListen in as playwright Kenneth Keng, director Annaporva Green, and actor & projection designer Chisom Awachie of Brought Up discuss lobotomized flesh puppets, encouraging participation and not “screaming and running away,” gratitude for designers, complicity and unthinking loyalty, Capri Suns, finding “a different way to do this shit,” and survival (with kindness) into the future.

“…it is about the visceral appeal of warfare, and all the equipment…the whiz-bang fighters, the big ships, the guns…things which I, for a long time, loved, and loved learning about, and loved imagining. It is also about the urgent, and near-impossible task of ending warfare. Recently, a lot of those things I loved have lost a lot of their appeal to me…”

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Nia Akilah Robinson & Julia Greer of “Push Party”

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TheaterLab and The Hearth present PUSH PARTY written by Nia Akilah Robinson, directed by Chesray DolphaListen in as Push Party playwright Nia Akilah Robinson, along with Producing Artistic Director of The Hearth Julia Greer, discuss just what a “push party” is, high school drama, naming characters, showing unspoken love, enmeshment, making peace with what’s passed down to us, showing up, and how friendship remains.

“…something that The Hearth was born out of is, wanting to make plays for people that may be going to school…that maybe don’t see themselves in a play. How could you pick up this play, and do it with your friends, and it would be accessible to you…”

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