Jessica Burr of “This is Modern Art”

Blessed Unrest presents THIS IS MODERN ART, written by Idris Goodwin and Kevin Coval, directed by Jessica BurrListen in as Jessica Burr, Artistic Director of Blessed Unrest and director of the company’s new production of This is Modern Art, discusses grabbing opportunities when they’re presented, how they “bombed” (graffiti-style) their set, getting invited into “the institution,” the company’s mission and what they’re up to next, the importance of having an incredible team, and “who gets to decide what art is, and where it goes.”

“…we decided that [it] had to be true to the act itself, in that it needed to be difficult, it needed to be physical, and there needed to be time pressure…and it needed to be fun, and we needed to be able to play loud music.”

Continue reading

Jenn Haltman, Becca Schneider, & Charise Greene of “Cannibal Galaxy: a love story”

Between Two Boroughs presents CANNIBAL GALAXY: A LOVE STORY, written by Charise Greene, directed by Jenn HaltmanListen in as Cannibal Galaxy: a love story playwright Charise Greene, along with the duo behind the producing company Between Two Boroughs—the show’s director, Jenn Haltman, and Becca Schneider, who plays “Claire”—discuss impossibility in the theater, finding communal experiences in the wake of trauma, “the relationship between violence, science, and spirituality in our country,” embracing the structural elements of a space, galactic cannibalism, magical realism, irrevocable change, and where creativity and violence collide.

“…I always ask the question, ‘why does this have to be a play?’…for me, impossible plays are an opportunity to welcome collaboration…Becca’s ‘Claire’ coughing up peach pits, or ash, is going to be very different than another actress, and I want Becca’s version of that, and Jenn’s version of the larger picture…to me, it’s a leap of exciting theatricality that is the reason why I go to the theater.”

Continue reading

Kristy Dodson, Michael Aguirre, Reyna de Courcy, Samuel Im, & ToniAnne DiFilippo of “The Hollower”

New Light Theater Project presents THE HOLLOWER, written by Liza Birkenmeier, directed by Kristy DodsonListen in as Kristy Dodson, director of New Light Theater Project‘s production of Liza Birkenmeier’s The Hollower, along with co-producer Michael Aguirre and cast members Reyna de Courcy, Samuel Im, & ToniAnne DiFilippo, discuss script development, finding truth in the absurd, finding personal connections to your character (and having your character written to you), taking risks with form, and “how misogyny is passed down by women.”

“…I think the text is so brilliant, and this has been such a supportive and creative and inspiring process, that it’s this weird combination of the most challenging thing I’ve ever done, and being like rolling down a hill.”

Continue reading

Heather Cohn, John Lenartz, Alisha Speilmann, Emily Hartford, Greg Oliver Bodine, Corey Allen, & Morgan McGuire of “The Sea Concerto”

Flux Theatre Ensemble presents THE SEA CONCERTO, written by August Schulenburg, directed by Heather Cohn and Kelly O'DonnellListen in as the cast & one of the directors of Flux Theatre Ensemble’s world premiere production of August Schulenburg’s The Sea Concerto—performers Morgan McGuire, Corey Allen, Greg Oliver Bodine, John Lenartz, Emily Hartford, and John Lenartz, with co-director Heather Cohn—discuss the importance of ensemble work, working from the outside in, familial and artistic legacies, finding a way into some very different & difficult characters, returning to past works, what can happen when your “scene partner” doesn’t show up until opening night, and why we make art.

“…I think what’s really interesting about this play…is that it asks the question, and answers the question, at the same time…and they’re constantly resonating throughout the play…”

Continue reading

Craig Smith & Elise Stone of “Judas”

Phoenix Theatre Ensemble presents JUDAS, written by Robert Patrick, directed by Craig SmithListen in as Phoenix Theatre Ensemble Artistic Director Craig Smith, who directs & plays “Pontius Pilate” in the company’s new production of Robert Patrick’s Judas, along with fellow cast-member Elise Stone (“Mary”), discuss giving equal weight to both sides, the drama of philosophical arguments, the challenge of living a good life, “blasphemy,” libertarianism and faith, communication breakdowns between mothers and sons, what happens when we see our heroes as humans, and how to answer the big question: “what are we supposed to do?”

“…I think that’s a dilemma for anyone who’s trying to live some kind of ethical, humane life in a really messed up world. And the world is really messed up for Judas, and the world is really messed up for all of us right now. So when I listen to Judas’s struggle, I feel like it’s so human. There’s all these wonderful words, and all this wonderful language…and then there’s this real human-ness…”

Continue reading

Rob Neill, Ayun Halliday, Eevin Hartsough, & Daniel Mirsky of “Wind-Up Variations”

New York Neo-Futurists present WIND-UP VARIATIONS, created, written, and directed by Rob NeillListen in as Wind-Up Variations creator/writer/director Rob Neill, along with performer Ayun Halliday, Eevin Hartsough, and Daniel Mirsky, discuss the Neo-Futurist aesthetic, following a monkey across a waste-land, dialogue-mining, finding your mechanical avatar, inviting the audience, and having a plan through the chaos of live performance.

“…that’s an opportunity, and not everybody will take it. And that’s part of the magic; ‘let’s see what happens next…'”

Continue reading

Nick Benacerraf, Jess Chayes, Stephen Aubrey, and Jax Jackson of “SEAGULLMACHINE”

La Mama E.T.C., in association with The Assembly, presents SEAGULLMACHINE, created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes & Nick BenacerrafListen in as collaborators on The Assembly’s SEAGULLMACHINE—conceiver/co-director Nick Benacerraf, co-director Jess Chayes, dramaturg Steven Aubrey, and performer Jax Jackson—discuss layering multiple theatrical sources, permission to find points of resonance, turning on a dime, the company’s development process, finding new roles through that process, bringing an audience into a world “oozing word-slime,” different versions of ourselves, and the question of whether or not theatre can produce change.

“…every night, by a certain time in the play, it feels like we’re also just people, human beings in a room with our audience. And that has been one of the most special experiences of it, to me…”

Continue reading

Ran Xia, Nicholas Orvis, Andrea Lopez, and Max Henry of “Echo”

The Tank presents ECHO, written by Ran Xia, directed by Nicholas OrvisListen in as Echo creator & sound sculptor Ran Xia, along with director Nicholas Orvis and performers Andrea Lopez & Max Henry, discuss inspiration from books about harmonicas, moving from sound collage to stage play, improvising to audio, physicality with constantly changing things, handling nakedly honest material, timelessness vs. time specificity, and the importance of simply listening.

“…when I was editing them, it’s like, I could cry, like every second, every other track, because everybody was just so open, and very real. You get real very fast…”

Continue reading

Elizabeth Hess, Katie Palmer, and Lucas Tahiruzzaman Syed of “Love Trade”

La Mama and The Hess Collective present LOVE TRADE, written and directed by Elizabeth HessListen in as Love Trade writer/director/performer Elizabeth Hess, along with collaborators/performers Katie Palmer and Lucas Tahiruzzaman Syed, discuss their collaborative process, feminist revenge fantasies, integrating and playing with the audience, fetishization of race, balloons, lived text, and performance poetry.

“…it’s a very hybrid approach to performance, and I am a magpie. I am thrilled that Lucas is foremost a musician…Katie is also herself an artistic director, and she’s got an incredibly strong dance background. I beg, borrow, and steal from that […] create [your] own hybrid approach that really resonates with [your] own voice and vision…”

Continue reading

Jessica Burr of “Platonov, or, A Play with No Name”

Blessed Unrest presents PLATONOV, or, A Play with No Name, translated and adapted by Laura Wickens from the play by Anton Chekhov, directed by Jessica BurrListen in as Blessed Unrest Artistic Director and director of Platanov, or, A Play with No NameJessica Burr, discusses the company’s staging process for the round, adapting early Chekhov, finding the humanity in “dreadful” people, putting the audience in the world of the characters, sleepless nights thanks to blocking, and the similarities between this 140-year-old play and our current world.

“…I guess for me, ultimately, I don’t go to the theatre to see Platonov, or to see Hamlet. I go to the theatre to see actors, to see human beings being exposed…that’s really what I want to see. Of course it’s story, it’s narrative, it’s context, but it’s really about the humans, we put these humans in this situation, and we watch and see what they do. And hopefully we learn from them.”

Continue reading