Ana Mari de Quesada & Tom Escovar of The Wild Project

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Listen in as Ana Mari de Quesada (Producing Artistic Director) & Tom Escovar (Producing Director) of The Wild Project discuss venue stability, sustainable architecture, providing opportunities for exciting new work, hoping to find an angel, infamous signage, why this incredible space needs to remain open in the East Village, and how you can help. #savewildproject

“We’re home to many downtown artists…especially since the pandemic […] the number of independent theaters that can house independent artists, give them free space or subsidized space, is shrinking. We really just want to solidify our home, for all the artists that we serve in this community…”

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Fareeda Pasha, Dylan Lesch, Hana Fatima Dehradunwala, Amani Meliyah, & Aliyah Curry, of The Science in Theatre Festival

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Transforma Theatre presents The Science in Theatre Festival at Brooklyn Art HausListen in as performers Fareeda Pasha & Dylan Lesch, and Hana Fatima Dehradunwala, playwright of The Last Word, along with Amani Meliyah, director, and Aliyah Curry, playwright of Receptors, both plays in The Science in Theatre Festival, discuss responsibility, “doing the research” and having access to those who *did* the research, standing on the shoulders of giants, last words, making social media explode onstage, the insanity of being a human being, and the bleeding edge between theatre and science.

“There’s something wrong with the world…[we should be] treating this country we live in as a community, we’re all responsible for each other…”

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Tim Errickson of “Mercutio Loves Romeo Loves Juliet Loves”

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Boomerang Theatre Company presents "Mercutio Loves Romeo Loves Juliet Loves," written by Gina Femia, directed by Scott Ebersold, at ART/NY's Jeffrey and Paula Gural TheatreListen in as Boomerang Theatre Company Artistic Director Tim Errickson, producer of the world premiere of Gina Femia’s Mercutio Loves Romeo Loves Juliet Loves, discusses joy in hindsight, speeches that won’t let you rest, upending the madness, giving some distance to put things into perspective, and turning a tragedy into something celebratory.

“…I think that’s what the play is really trying to capture, is this idea that, unlike Shakespeare’s Romeo & Juliet, who don’t get that moment, because theirs is cut off at the end of the play…our characters get to move forward, and grow and change and experience what it means to have that as part of their history, and their journey…we often see LGBTQ-themed stories on stage that tend to center around some sort of tragedy, violence, bigotry, hatred…and I know that Gina wanted to be able to celebrate the things that are also in the LGBTQ experience, and to show them as powerful, and joyful, and life-changing, and heartfelt, and highly relatable…”

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Rhys Luke, Sophia DiPaolo, Leah Davidowitz, Tits Morality, Chloe Drohan, & Eliana Coe of “Dave and Boris Kill the Cat”

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Listen in as Dave and Boris Kill the Cat playwright Rhys Luke, director Sophia DiPaolo, costumer Leah Davidowitz, and performers Tits Morality, Chloe Drohan, and Eliana Coe, discuss falling down rabbit holes, working on a show that features real people, queer horror, grotesque and disgusting mannerisms, drag & film noir, intergenerational cat trauma, & making everything larger than life.

“…there’s something so special about sending such a strong message, under the guide of comedy…to have audience members tell you is, ‘it was so funny, I laughed so hard,’ and then you know that they go home, and think a little bit more about it, and they realize what the show is really about…it’s such a joyful process, to work on something so meaningful, something so inclusive, and have a laugh while doing it…”

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Clay McLeod Chapman, Pete Boisvert, Stephanie Cox-Connolly, & Morgan Zipf-Meister of “Feejee Mermaid”

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Drops in the Vase presents FEEJEE MERMAID, written by Clay McLeod Chapman, directed by Pete Boisvert, at The Flea TheaterListen in as feejee mermaid playwright Clay McLeod Chapman, director Pete Boisvert, props & effects designer Stephanie Cox-Connolly, and actor Morgan Zipf-Meister, discuss finding a taxidermy consultant, love and hate, reconnecting with the scene, multiple hats, buying everyone the book, and making shit so you can make something live & breathe.

“…it’s about four people who are intersecting at a point in their lives where they love each other, hate each other…these are people who need each other to complete themselves, and achieve something greater than any one individual.”

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Laura Hooper & Jason Alan Carvell of “Tracks”

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Pendragon Theatre and New Light Theater Project present TRACKS, written by Paula B. Stanic, co-directed by Tabatha Gayle and Sarah NorrisListen in as actors Laura Hooper and Jason Alan Carvell of Tracks discuss finding actors, complicated relationships, boots & chops, audience reactions, questioning assumptions, stumbling in on real life experiences, and not letting go.

“Everything in our lives conspires to sort of anchor us in a normalcy. And I think one of the powers of Paula’s art, and art more broadly, is that it offers this opportunity to just stray a little bit away from that anchor…”

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Matthew Freeman & Jessi D. Hill of “The Ask”

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Theatre Accident, in association with The Flying Carpet Theatre Company, present THE ASK, written by Matthew Freeman, directed by Jessi D. Hill, at The Wild ProjectListen in as The Ask playwright Matthew Freeman, and director Jessi D. Hill, discuss generational divides, pitching runtimes, writing from what you know in real life, finally getting to work together, what can happen when you see yourself onstage, failing and messing up and misspeaking, seeing both sides from the middle, flawed arguments, and writing for what the play needs.

“Every debate in the show is not some secret argument that’s only happening in the ACLU. Everyone talks about this stuff…”

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Kara Ayn Napolitano & Joy Donze of “In Search of Elaina”

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Drift In Act Out in association with Platt Productions presents IN SEARCH OF ELAINA, written by Kara Ayn Napolitano, directed by Joy Donze, at The Players TheatreListen in as In Search of Elaina playwright Kara Ayn Napolitano, along with director Joy Donze, discuss the vibes between them, making things happen, facing the difficult parts of yourself, strong female friendships, finding the right people for your ensemble, strong audience reactions, and why you should write what you know.

“…you said it at opening…this is a play about a lot of peoples’ people. I think that, when you bring your truth to the stage, as a collective humanity, we find that a lot of us can relate to that truth…”

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Denisse Estefany Mendoza & Peter Michael Marino of “Show Up, Kids!”

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SHOW UP KIDS at QED Astoria, created by Peter Michael Marino, directed by Michole Biancosino, at QED Astoria, photo by MikiodoListen in as creator Peter Michael Marino & performer Denisse Estefany Mendoza of SHOW UP, KIDS! discuss awful auditions and why they often don’t matter, working out your show over time, building fairy tales from scratch, how to work with new & inexperienced (very young) improvisers, using what’s given to you by the audience, bringing them back into the show, funny chickens and evil farmers and bad penguin driving, and the sensibilities of New York City kids.

“You just have to say ‘yes, and,’ even to their ‘nos’…you just have to keep going…even the nos can be really funny!”

“It’s always a gift!”

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Sara Fellini, Adam Belvo, & Nicholas Thomas of “A Man Among Ye”

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Spit & Vigor presents A MAN AMONG YE by Sara Fellini, directed by Sara Fellini and Nicholas Thomas, at The Players TheatreListen in as writer/director/performer Sara Fellini, along with fellow actors Nicholas Thomas (co-director) and Adam Belvo (fight choreographer), discuss adding more balloons, doing the research, breast reveals, rowing in the same direction with your crew, the light with all the knowledge, lambs with faces, interesting translations, Tarantino’ing it, earning your rail jump, leaning into the “mistakes,” awesome wigs, and, of course, lady pirates.

“There’s so much value to it…if you’ve made the set yourself, if you’ve sewn your costume, you’re gonna care about it, you’re gonna know it more. You’re gonna love it. There’s nothing better, as an actor, than saying, ‘I made this’…”

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