RJ Vaillancourt, Jenna Grossano, James Presson, and Patrick Dooley of “How Less Than Rent Stole Christmas!”

How Less Than Rent Stole Christmas!Less Than Rent was last on the podcast with a provocative take on a theatre company’s provocative take on Beckett’s Endgame (listen to it here).

Now, the company sets their sights on the holidays, with three distinct evenings of theatrical cheer. The podcast was there on night one, when RJ Vaillancourt hosted a Christmas variety show a la his hero, Bing Crosby (see the photo below), under the direction of Jenna Grossano.

Listen in as Jenna & RJ, along with LTR members (and the masterminds of the series) James Presson and Patrick Dooley, discuss reflecting reality back from the stage, how you find the glue to hold a variety show together, and why the company would do not one, but three different holiday shows over three weeks. Continue reading

Nora McNally, Ben Diserens, Rachel B. Joyce, Sean Patrick Monahan, & Patrick Dooley of “Beckett in Benghazi”

Less Than Rent presents "Beckett in Benghazi" by Ben DiserensBeing drawn to the classics, Less Than Rent has taken to integrating the work of the masters into their creations; as associate producer Sean Patrick Monahan notes in this interview, it’s like how painters try to imitate the iconic works of their predecessors to understand the process. By digging in and trying to understand what came before, we can come to appreciate the genius that preceded our work — and, possibly, see where it fits into our current cultural landscape.

In the company’s new show, Beckett in Benghazi, a young troupe of actors about to stage Samuel Beckett’s Endgame changes the show’s concept just days before opening in an attempt to integrate — or, perhaps, capitalize on — the major news of the day: the attack on the U.S. diplomatic mission in Benghazi, Libya.

Sean is joined on the mic by LTR’s Executive Director Nora McNally, Beckett in Benghazi‘s playwright Ben Diserens, and actors from the show Rachel B. Joyce and Patrick Dooley — listen in as they discuss world events becoming buzz-words, asking questions, and the cyclical nature of life, Beckett, and this play — as well as what sort of work a play can do.

“‘I can’t go on, I’ll go on.’ Exactly.”

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