FRIGID New York 2013

FRIGID New York 2013 A bit of a different podcast this time out: in this episode, GSAS! interviews artists from seven of the thirty — yes, 30 — plays that are part of this year’s FRIGID New York festival, presented by Horse Trade Theater Group.

It should be noted, FRIGID isn’t just another festival. The participants are chosen at random, so no silly politicking is involved; and, all participants keep 100% of the box office sales for their show. Try finding that kinda deal as a performer anywhere else in this town. Very cool format. Hats off to Horse Trade for making this happen every year since 2007.

Kicking off the marathon of mini-interviews is Erez Ziv, Executive Director of FRIGID and Managing Director of Horse Trade, followed by, in order:

— director Nikki DiLoreto & playwright/performer Antonia Lassar of The God Box
— co-director/producer/performer Bricken Sparacino of Sisters Grimm: Fables of the Stage
— director Christina Massie, performer Emily Tuckman, and performer Sarah Jacobs of Commencing
— playwright & performer Nikhil Tilwalli of A Panda Suit, Pythagorus, and Plenty of Puns
— playwright & performer Chris Harcum of Two Lovely Black Eyes
— playwright & performer Lucas Brooks of VGL 5′ 4″ Top
— playwright & performer D’yan Forest of My Pussy is Purrin’ Again Continue reading

Lindsey Moore Sproul & Jeff Sproul, of No Tea Productions’ “Space Captain: Captain of Space!”

As you may have guessed from the fact that I produce this podcast, I love off-off-Broadway theatre. And one of the chief reasons for this love is the opportunity for those of us in the off-off community to explore different ways of bringing things to the stage that one might not presume could be brought to the stage: things like epic space battles, creepy alien defenders of an intergalactic oracle, a ferocious giant feline — and doing an entire play in black-and-white (!?!?).

On this episode of the podcast, Go See a Show! talks with director Lindsey Moore Sproul along with her No Tea Productions collaborator (& spouse), playwright & actor Jeff Sproul, about their new show Space Captain: Captain of Space!, running at The Kraine Theater.

Take a journey along with the X-1 rocketship, and listen in as Jeff & Lindsey talk about the trajectory of No Tea, creating those epic space battles live onstage, seamlessly mixing stage & screen, and making the couple’s cat Fish into an awesome alien monster.

No Tea Productions presents
Space Captain: Captain of Space!

written by Jeff Sproul
directed by Lindsey Moore Sproul

The Kraine Theater
85 East 4th Street
New York, NY 10003

thru September 15, 2012
every Thursday and Friday night, plus Saturdays September 1st and 15th only
all shows at 8:00 p.m.
tickets available via Brown Paper Tickets

Martin Dockery, and his new show “The Holy Land Experience”

Martin Dockery's "The Holy Land Experience"Playwright & performer Martin Dockery is one of those guys who seems, to me, to have the most interesting life — his stories are always full of wild adventures and profoundly meaningful interactions with fascinating people, all true, all from his life.

I interviewed Dockery after a performance of his new show The Holy Land Experience at The Kraine Theater, and he answers the question of “just why is your life so awesome and mine so mundane?” beautifully. That, and more, in this episode of Go See a Show!


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There’s sadly just one more chance to see this run of The Holy Land Experience — Monday, December 19, 8PM at The Kraine. Check it out if you can; watch one of his appearances at The Moth to get a sense for the kind of storytelling you’re in for, like this one below:

Christie Perfetti, playwright of “No Fault: A Tale about the Big D in the Big Apple”

No Fault: A Tale About the Big D in the Big AppleThis week’s episode of Go See a Show! features an interview with a woman who was introduced to me by a mutual friend as “not only a fantastic woman but one of my favourite playwrights” — Christie Perfetti.

After seeing her play No Fault: A Tale About the Big D in the Big Apple at The Kraine Theater in the New York International Fringe Festival, I can understand my friend’s enthusiasm.

Listen in as Christie and I discuss the resonance of a very personal play with audience members, how to make a play go from script to performances in a 99-seat theater in just three months, and what it means to be in “the middle.”


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