Anna Greenfield, playwright & actress, & Lee Sunday Evans, director, of “All Girls”

"All Girls," by Anna GreenfieldCollaboration Town was last on the podcast with the crazy epic The Deepest Play Ever: The Catharsis of Pathos. This time around, their show All Girls brings things to a much more personal level to great effect with this lovely, personal piece about three young girls on the verge of entering high school.

It may be “all girls,” but of course all are invited. And as you’ll hear in the interview, playwright/actress Anna Greenfield and director Lee Sunday Evans want to be sure this show is accessible to all (and they succeeded).

Listen in as Anna & Leigh talk about sensitivity to voices, “struggling with the process of becoming,” writing something so you can act in it, and being honest. Continue reading

Greg Kalleres, playwright of “Honky”

"Honky" by Greg KalleresHonky is a play about relationships: about the relationships between five people, and about the relationships between who designs, buys, wears, covets, sells, and markets basketball shoes.

But hovering over—or rather, sitting squarely on top of—all of these relationships, is the issue of race.

It’s the kind of show that provokes wild, and/or uncomfortable, and/or silent laughter, at different times, from different people, for different reasons.

And while it doesn’t shy away from a difficult subject, Honky is hysterical, insightful, dramatic, and fun.

Listen to this episode of GSAS! to hear playwright Greg Kalleres discuss quiet audiences, brave actors, and advertising.

“You may fail, but you’ve certainly got the right to try.”

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Jon Stancato, director, and Kiran Rikhye, playwright, of Stolen Chair Productions’ “The Man Who Laughs”

Stolen Chair Productions' "The Man Who Laughs"In this episode, GSAS! visits the incongruously-located Urban Stages (who’d think you’d find a cool downtown-style venue just down the street from MSG?) for Stolen Chair Theatre Company‘s production of The Man Who Laughs, billed as a “live silent film for the stage.”

And that’s exactly what it is — black & white sets & costumes (and make-up), brilliant live accompaniment by pianist Eugene Ma, dialogue cards to impart important spoken lines, even silent-film-era-style camera angles. And then there’s the free popcorn.

Listen in as GSAS! talks with director Jon Stancato and playwright Kiran Rikhye about encouraging the audience to get into costume, how to write a play without dialogue, and re-discovering the magic & possibilities of past performance styles. Continue reading

Jonathan Draxton, playwright & performer, and Kevin O’Rourke, director, of “Soldier”

Soldier by Jonathan DraxtonThe theatre is “a place for seeing;” a place where we can ask the big difficult questions about what it means to be a human being in the world we’ve collectively made.

Soldier, written & performed by Jonathan Draxton and directed by Kevin O’Rourke, isn’t afraid to ask one of those very difficult questions: can we understand, and possibly forgive, someone who participated in some of the most appalling crimes in recorded human history? The play unfolds as a Nazi SS officer, waiting on the banks of the river Styx, recounts stories from his family & military life, all the while asking members of the audience for coins to pay for passage across the river for his men & himself.

Listen in as Jonathan, Kevin & I talk about provoking & inviting the audience into the performance, attempting to get at the humanity of a soldier, and “going through the fire.”

The Plowmen present
Soldier

Directed by Kevin O’Rourke
Written, performed and produced by Jonathan Draxton

December 11–22, 2012
HERE Arts Center
145 Sixth Avenue
Tickets available from the HERE website

Soldier by Jonathan Draxton, photo by Kenna Draxton

Kelly O’Donnell, Gus Schulenburg, and Adam Szymkowicz of Flux Theatre Ensemble’s “Hearts Like Fists”

…is this thing on?

Apologies that Go See a Show! has been out of commission for the past couple of months. But never fear — we’re back!

Flux Theatre Ensemble's "Hearts Like Fists"And speaking of “never fear,” the podcast makes its triumphant return with an episode about a comic-book-superhero-noir-thriller presented by Flux Theatre Ensemble: Hearts Like Fists.

Listen in as Flux founders Kelly O’Donnell (director), Gus Schulenburg (actor, “Dr. X”), and Adam Szymkowicz (playwright) talk about development of the play with Flux, writing & “getting there” with difficult scripts, and roles that know what they want.

Flux Theatre Ensemble presents

Hearts Like Fists
by Adam Szymkowicz
directed by Kelly O’Donnell
Nov 30 – Dec 15, 2012

The Secret Theatre
44-02 23rd Street
Long Island City, NY 11101

tickets available via OvationTix

Andrew Goffman, playwright & performer, and director Charles Messina of “The Accidental Pervert”

The Accidental Pervert

It might seem surprising to hear that an off-off-Broadway show has been running for three years, to consistently packed houses. Then again, when that show is a frank, honest, laugh-filled discussion of a young man’s coming-of-age story via his Dad’s porn collection and his own subsequent addiction to said porn…well, you know there’s going to be a little something in there for everyone.

In this episode of Go See a Show!, we’ve got an interview with playwright & actor Andrew Goffman, the self-described title character of The Accidental Pervert. His autobiographical one-man show is part theatre, part stand-up, (almost) entirely true, and all heart.

The Accidental PervertListen in as Andrew and director Charles Messina discuss the broad appeal of a show about a kid’s connection to his father through porn, the porn-addicts in trenchcoats who are disappointed by the show, becoming an electrician by necessity, and how to keep a show that’s been running for over three years fresh.

Oh, and stick through to the end to hear Andrew’s “sexy voice.”

The Accidental Pervert, photo by Paul Urban“…if you ever forget your lines, just start moving. Start cleaning up the stage. And a lot of these off-Broadway theaters need cleaning anyway…”

The Accidental Pervert
Fridays & Saturdays @ 7pm
The 13th Street Repertory Company
50 West 13th Street – between 5th & 6th Aves

All Seats $30
Tickets available via OvationTix, or call 212-352-3101
or, visit the 13th Street Repertory Box Office

Brett Epstein, Brittany Taylor Visser, and Sean Kleier of “Based On Your True Story”

Based On Your True Story, by Brett EpsteinWhat do you get when you put a playwright/director, an actress/singer, a comedian/actor, and a podcaster around a chess table in Washington Square Park late on a Sunday night?

This episode of Go See a Show!, obviously.

Listen in as I speak with Brett Epstein, Brittany Taylor Visser, and Sean Kleier about Brett’s new show, inspired by 30 interviews with friends, acquaintances, and random strangers. It’s called Based On Your True Story, it’ll premiere this week at The Tank, and you can get a sneak peek here on the podcast: tales of klonopin, awkward interviews, arrests in 3D, $7 sandwiches, interrupted interviews, and Sean not playing Hawkeye await.

“Hulk smash.”


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Based On Your True Story
Six short plays PLUS a documentary short film
The Tank
151 W. 46th Street, 8th Floor
New York, NY
Wednesday, 05/16/2012 – 7:00pm
Saturday, 05/19/2012 – 9:30pm
Tickets: $7, available via Brown Paper Tickets

Geoffrey Decas O’Donnell, playwright & actor, from “The Deepest Play Ever: The Catharsis of Pathos”

Collaboration Town's The Deepest Play Ever: The Catharsis of PathosGo See a Show! was back at The New Ohio last weekend for some deep, epic thoughts, provided by The Deepest Play Ever: The Catharsis of Pathos.

Playwright & actor Geoffrey Decas O’Donnell joined me for an interview on his dinner break between shows — that’s him in the first photo below, red-eyed & blue-mouthed, with his arm outstretched next to the puppet & puppeteer of Mephistopheles.

Listen in as Geo discusses acting in a show he’s still revising, loving & lampooning Brecht, and what’s next for the company he co-founded & leads, Collaboration Town — and I curse Jad Abumrad (not seriously, of course).

Obligatory Shakespeare reference this time? The Winter’s Tale. It never fails to come back to the Bard!

(…sorry for the background noise — it seems Collaboration Town has a big population!…)


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The Deepest Play Ever: The Catharsis of Pathos
by Geoffrey Decas O’Donnell
music by Michael Wells
lyrics by Geoffrey Decas O’Donnell, Jordan Seavey and Michael Wells
directed by Lee Sunday Evans and Jordan Seavey

The New Ohio Theatre
154 Christopher Street, 1E
Tickets available via SmartTix

Wednesday, March 14th @ 7:30 – Opening Night!
Thursday, March 15th @ 7:30
Friday, March 16th @ 7:30
Saturday, March 17th @ 5:00
Saturday, March 17th @ 9:00 (WEAR GREEN AND PAY WHAT YOU CAN!)
Sunday, March 18th @ 7:30
Monday, March 19th @ 7:30
Wednesday, March 21st @ 7:30

Thursday, March 22nd @ 7:30
Friday, March 23rd @ 7:30
Saturday, March 24th @ 5:00 & 9:00

Collaboration Town's The Deepest Play Ever: The Catharsis of Pathos

Collaboration Town's The Deepest Play Ever: The Catharsis of Pathos

photos by Colin D. Young

Martin Dockery, and his new show “The Holy Land Experience”

Martin Dockery's "The Holy Land Experience"Playwright & performer Martin Dockery is one of those guys who seems, to me, to have the most interesting life — his stories are always full of wild adventures and profoundly meaningful interactions with fascinating people, all true, all from his life.

I interviewed Dockery after a performance of his new show The Holy Land Experience at The Kraine Theater, and he answers the question of “just why is your life so awesome and mine so mundane?” beautifully. That, and more, in this episode of Go See a Show!


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There’s sadly just one more chance to see this run of The Holy Land Experience — Monday, December 19, 8PM at The Kraine. Check it out if you can; watch one of his appearances at The Moth to get a sense for the kind of storytelling you’re in for, like this one below:

The Cast & Creators of “3 Ghosts” from Pipe Dream Theatre

Pipe Dream Theatre's "3 Ghosts"In this episode, Go See a Show! talks with the (very large) cast of a production of a perennial classic, Dickens’ A Christmas Carol, re-imagined steampunk style as 3 Ghosts by Pipe Dream Theatre‘s Liz Muller & Collin Simon.

This was one of the most fun interviews yet for the podcast — congrats to all involved with the show!

3 Ghosts is up at Theatre Row’s Beckett Theatre until December 23; tickets are available through TeleCharge.


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…and I wasn’t kidding; this cast is huge. Here’s a photo of the actors I was onstage with for the interview; this is a little under half the full cast, I think.

Cast Members from Pipe Dream Theatre's "3 Ghosts"