For the second episode in a row, GSAS! heads to the nation of Colombia (via the magic of theatre, of course), this time with Ugly Rhino’s What It Means to Disappear Here.
Initially set in a café in Cartagena (where the audience sits, along with the actors), What It Means… is the story of Yulieth, a young Colombian woman who is meeting Mitch for the first time — the norteamericano man who wants to buy her as his wife. Through a series of flashbacks-and-forwards, along with some brilliant use of radio broadcasts, the audience follow the paths that brought Yulieth & Mitch to that initial meeting, and its aftermath.
Listen in as playwright Jeremy J. Kamps, director Danny Sharron, and actress Lillian Rodriguez discuss eavesdropping on a marriage deal and writing a play about it, focusing on the human story, and what makes somebody care.
“What is the role of theatre…in a drama bringing forth political issues…what is our role in the off-off-Broadway world, bringing a play like this?”
When the mother of your lover shows up unannounced on your doorstep, it’s kind of shocking.
When she’s looking for answers about her daughter’s final days, which she shared with you, the shock is much more dramatic.
That’s the situation in which the characters in Johnna Adams‘s Sans Merci find themselves. Directed in its world premiere by Heather Cohn and produced by Flux Theatre Ensemble (in rep with another new play, Honey Fist — watch for a GSAS! podcast on that one soon), Sans Merci is a play about poetry, activism, and, as Flux asks, “who owns the stories of the dead?”
Listen in as Johnna and Heather discuss grief, haunting, activism, and theatre that can make everybody feel something.