Lynnea Benson, Marcus Watson, Amy Frances Quint, Erick Gonzalez, Kyle Primack, and Kevin Hauver of “A Midsummer Night’s Dream”

Frog and Peach Theatre Company presents William Shakespeare's A MIDSUMMER NIGHT'S DREAM, directed by Lynnea BensonListen in as director Lynnea Benson and performers Marcus Watson, Amy Frances Quint, Erick Gonzalez, Kyle Primack, and Kevin Hauver of Frog & Peach Theatre Company‘s new production of A Midsummer Night’s Dream, discuss why the company returned to the forest outside of Athens, bucket-list roles, the politics of Midsummer, playing different roles in the same play after six years, trusting collaborators to push you in new and exciting directions, and how to not only give the audience what they want, but what you think they might need.

“…we wanted something that could also reach out to families with children, and younger people, people who think they know Midsummer but maybe don’t know it the Frog & Peach way. Also, we never miss an opportunity with the present company to do a comedy…”

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Craig Smith, Lori Parquet, Ariel Estrada, Elise Stone, Stacey Raymond, and Layan Elwazani of “The Cult Play”

Phoenix Theatre Ensemble presents THE CULT PLAY, written by Topher Cusumano and directed by Irene LazaridisListen in as Phoenix Theatre Ensemble‘s producing artistic director Craig Smith, along with performers Lori Parquet, Ariel Estrada, Elise Stone, Stacey Raymond, and Layan Elwazani of the company’s world premiere production of Topher Cusumano’s The Cult Play, discuss the play’s resonance with the current zeitgeist, how defense of one’s identity can put others in harm’s way, technology’s place in telling a story in the theatre, killing different characters in different drafts, surviving cults, what we believe and why we believe it, “truth” vs. “certainty,” and the responsibility of not just the leader, but of those who choose to follow them.

“…2.5 million Americans have been in cults in the past 30 or 40 years. It’s pretty widespread, and I think cults are enormously interesting. I think all of us, on some level, feel wounded, and maybe a bit fragile, and I think we’re more fragile than we think that we are, and we come under the spell of these folks like Mama Pearl […]”
“You don’t have to go political with this play. If you’re on Instagram, or Twitter, or whatever, you already follow someone…”

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Jamal Abdunnasir, Lauren Larocca, and Peregrine Teng Heard of “Sheila”

The Associates present SHEILAListen in as three of the five company members of The Associates—director Jamal Abdunnasir, and performers Lauren Larocca & Peregrine Teng Heard—discuss their new collectively-devised “waking nightmare” Sheila, exploring the intersection of the mundane with the grotesque, the role of improvisation in their process, how they work with non-Associate associates, and why the company likes to make things just a little bit scary.

“…I think what we’ve found out about ourselves is that we write almost as much as we create in the room, that we all find a lot of value in putting down proposals on paper. Jamal happens to work a lot in stage directions, and I happen to work a lot in action, and then there’s dialogue people…the important thing is for everyone to be able to jump into all these characters…”

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Jessica Burr & Nancy McArthur of “The Snow Queen”

Blessed Unrest presents THE SNOW QUEEN, written by Matt Opatrny, adapted from the story by Hans Christian Anderson, directed by Jessica BurrListen in as director Jessica Burr and performer Nancy McArthur (“Gerda”) of Blessed Unrest‘s original adaptation of The Snow Queen discuss how the company came to create a show geared toward young people, working with 10-year-old collaborators in the rehearsal room, “dulling as we age,” Blessed Unrest’s devising techniques, the importance of having your designers involved all through the process, workshops on devising & physical theatre (2/13–3/6), and why kids can be the perfect audience for abstract storytelling.

“…for me, it’s the story of a really courageous young girl, who displays her power in a way that is actually very feminine…she isn’t violent, she doesn’t have to fight for what she wants, in fact she’s really smart…”

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Giverny Petitmermet, Rachel Dart, Elizabeth May, Taylor Beidler, and Alex Guhde of “The Trojan Women”

The New Collectives present Euripides' THE TROJAN WOMEN, A New Version by Brendan Kennelly, directed by Rachel DartListen in as The New Collectives Artistic Director & performer Giverny Petitmermet, director Rachel Dart, sound designer Elizabeth May, dramaturg Taylor Beidler, and assistant director Alex Guhde discuss bringing The Trojan Women to the present day, “folk songs from countries you’ve never been to,” why you should have a dramaturg & an assistant director on your show, “feeling your feelings,” finding the intersection between art and activism, where you’ll see Bob Fosse in this show, and how theatre can be the catalyst to a live conversation about what really matters.

“We do The Trojan Women in 2017 because the sad fact is that women who are displaced by war and conflict…continues to be relevant each and every day…”

“This really feels like the moment all the things that The New Collectives do comes to a head…”

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Janet Bentley, Andy Evan Cohen, Alexandra Cohler, & Ian Campbell Dunn of “Basement”

Roly Poly Productions presents BASEMENT, written by Michael Hagins, directed by Janet BentleyListen in as the director of Basement, Janet Bentley, along with actors Alexandra Cohler & Ian Campbell Dunn and sound designer Andy Evan Cohen, discuss radio-announcer-as-chorus, working in multiple languages in the same piece, sound as dramaturgy (and dramaturgy through sound), the benefit of having a medical professional in your production team, finding a place for a dance, and how to turn the traditional wartime romance narrative on its head.

“…theatre is always musical to me. There’s a rhythm to it…”

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Erin B. Mee of “Subway Plays”

This is Not a Theatre Company's SUBWAY PLAYS, conceived of and directed by Erin B. MeeListen in as Erin B. Mee, who conceived of and directed This is Not a Theatre Company‘s Subway Plays, discusses the origin of the term “podplays,” how variables can enter into the “performance,” practical considerations when you’re dealing with the MTA as your venue, mindfulness and the opportunity to mono-task, and making your theatre work even more accessible.

“…what we wanted to do was create a piece [where] the audience member mixes the live experience with the recorded experience, and creates an experience that is unique to them. So there’s something kind of John Cage about it…”

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Ran Xia and Charlotte Arnoux of The Arctic Group’s FRIDGE Festival

The Arctic Group presents FRIDGE Fest 2017Listen in as Ran Xia and Charlotte Arnoux, co-Artistic Directors of The Arctic Group, presenting their Fridge Festival at IRT, discuss happy autocorrect errors, finding a fridge for your fridge festival, developing your climbing skills, the beauty of limitations, serendipitous curation, “figuring it out,” and what it means to “pick a snowflake out of an avalanche.”

“…it’s putting two different groups of people onto the same platform, so they can have a conversation…”
“…and just offering space to artists that we love, and ones that we have come to love…we wanted to create the theatre festival that we never had…”

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Julie Congress, Ryan Emmons, Steven Conroy, and Enrico de Trizio of “Friends Call Me Albert”

No. 11 Productions presents FRIENDS CALL ME ALBERT, written by Zachary DesmondListen in as some of the team behind Friends Call Me Albert—performers Julie Congress and Steven Conroy, director Ryan Emmons, and musician Enrico de Trizio, all members of the ensemble of No. 11 Productions—discuss how and why puppets ended up in their play about Albert Einstein, the meaning of “bio-epic,” cross-continental collaboration, impossibility, how to integrate Einstein’s concepts into the presentation of your show, “fluidity,” using real math onstage, and how their ensemble plays together on the journey of creating their work.

“…it’s like playing with gravity…”

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Patrick Vermillion and Emily Jackson of “Jessica”

Sanguine Theatre Company presents JESSICA, written by Patrick Vermillion, directed by Emily JacksonListen in as two of the creators behind Sanguine Theatre Company‘s world-premiere production of Jessica—playwright Patrick Vermillion and director Emily Jackson—discuss justifying your narrative, Sanguine’s “Project Playwright” process, why their AI story focuses on the building process, confronting the truth, the morality of technology, and what makes us human.

“…I wanted to create a sci-fi piece for the stage mostly because I was watching these really old, kinda shitty…[but] super-relevant, very socially-interesting television shows, with virtually no budget. It’s so much your imagination…kind of like with theatre…”

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