Category Archives: Playwrights

Joseph Samuel Wright, playwright, and David Carl, composer, of “Rise”

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Rise_logoWe all know the maxim: “power corrupts, and absolute power corrupts absolutely.”

It’s the dangers of unchecked power & blind ambition that unites the two narratives of Roots & Wings Theatrical‘s new play Rise.

In one thread: an operatic telling of the story of Elagabalus, the boy emperor of Rome who overturned gods, prostituted himself in the temple, and demanded a sex change operation—following the ego-maniac emperor, his naive formerly-chaste Vestal Virgin lover, his scheming grandmother, and his ambitious mother willfully ignoring her son’s flagrant (and dangerous) disregard for prudence.

In the other: a modern drama of an ego-maniac porn star, his naive young lover, his scheming agent, and the ambitious young lady blind to whom she hurts on her rise to the top.

…starting to see where this is going?

If you’re curious to see (and hear) more, listen in to this episode of the podcast with Rise playwright Joseph Samuel Wright and composer David Carl as they discuss empire-level intrigue, big voices in small spaces, and rising vs. rising above. Continue reading →

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Anna Greenfield, playwright & actress, & Lee Sunday Evans, director, of “All Girls”

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"All Girls," by Anna GreenfieldCollaboration Town was last on the podcast with the crazy epic The Deepest Play Ever: The Catharsis of Pathos. This time around, their show All Girls brings things to a much more personal level to great effect with this lovely, personal piece about three young girls on the verge of entering high school.

It may be “all girls,” but of course all are invited. And as you’ll hear in the interview, playwright/actress Anna Greenfield and director Lee Sunday Evans want to be sure this show is accessible to all (and they succeeded).

Listen in as Anna & Leigh talk about sensitivity to voices, “struggling with the process of becoming,” writing something so you can act in it, and being honest. Continue reading →

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Greg Kalleres, playwright of “Honky”

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"Honky" by Greg KalleresHonky is a play about relationships: about the relationships between five people, and about the relationships between who designs, buys, wears, covets, sells, and markets basketball shoes.

But hovering over—or rather, sitting squarely on top of—all of these relationships, is the issue of race.

It’s the kind of show that provokes wild, and/or uncomfortable, and/or silent laughter, at different times, from different people, for different reasons.

And while it doesn’t shy away from a difficult subject, Honky is hysterical, insightful, dramatic, and fun.

Listen to this episode of GSAS! to hear playwright Greg Kalleres discuss quiet audiences, brave actors, and advertising.

“You may fail, but you’ve certainly got the right to try.”

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Nick Benacerraf, Jess Chayes, Stephen Aubrey, and Edward Bauer of The Assembly’s “HOME/SICK”

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HOME/SICK by The Assembly at The Living TheatreFor this 50th podcast of Go See a Show!, I present to you an episode recorded half a year ago, but that might be one of the most interesting interviews I’ve done.

As part of last summer’s Underground Zero Festival, The Assembly presented HOME/SICK, a brilliant, personal, beautiful, and exhaustively researched show dramatizing events in the history of the Weather Underground.

Though I knew when I recorded it that I wouldn’t be able to get this interview up before their show closed, my apologies to the good people at The Assembly for taking half a year to post this.

But it seems it was somewhat serendipitously timed, as the show was one of the last to occupy The Living Theatre’s space on Clinton Street, which was recently shuttered. Reports of the demise of The Living Theatre as a company have thankfully been greatly exaggerated (guilty as charged; see the GSAS! Facebook page for my mini-obit on the company), but whatever the current state and future of the company, here’s wishing all best to Judith, Brad, and everyone at The Living Theatre for this next chapter of the company’s long and amazing history.

Listen in as director Jess Chayes, dramaturg Stephen Aubrey, designer Nick Benacerraf, and actor Edward Bauer, all core members & artistic directors of The Assembly, discuss complicated empathy, theatre as a political act, and why the company looked to a radical political movement from over 40 years ago to create a play in the relatively peaceful U.S. of 2012.

“I don’t trust a mission statement that you can achieve on the first try.” Continue reading →

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FRIGID New York 2013

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FRIGID New York 2013 A bit of a different podcast this time out: in this episode, GSAS! interviews artists from seven of the thirty — yes, 30 — plays that are part of this year’s FRIGID New York festival, presented by Horse Trade Theater Group.

It should be noted, FRIGID isn’t just another festival. The participants are chosen at random, so no silly politicking is involved; and, all participants keep 100% of the box office sales for their show. Try finding that kinda deal as a performer anywhere else in this town. Very cool format. Hats off to Horse Trade for making this happen every year since 2007.

Kicking off the marathon of mini-interviews is Erez Ziv, Executive Director of FRIGID and Managing Director of Horse Trade, followed by, in order:

— director Nikki DiLoreto & playwright/performer Antonia Lassar of The God Box
— co-director/producer/performer Bricken Sparacino of Sisters Grimm: Fables of the Stage
— director Christina Massie, performer Emily Tuckman, and performer Sarah Jacobs of Commencing
— playwright & performer Nikhil Tilwalli of A Panda Suit, Pythagorus, and Plenty of Puns
— playwright & performer Chris Harcum of Two Lovely Black Eyes
— playwright & performer Lucas Brooks of VGL 5′ 4″ Top
— playwright & performer D’yan Forest of My Pussy is Purrin’ Again Continue reading →

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Matt Graham, writer & performer of “This Too Shall Suck”

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"This Too Shall Suck" by Matt GrahamI can completely identify with Matt Graham on at least one point: real men do indeed love cats (big shout-out to my man Compay).

Graham’s show, This Too Shall Suck, of which he is the writer and performer, was a standout in the 2012 New York International Fringe Festival, and now continues weekly at Soho Playhouse’s Huron Club.

The show is dark, autobiographical, incredibly personal…and funny. And yes, cats are involved.

Listen in to this episode of Go See a Show! as Matt talks about getting onstage for the first time in eight years, cats, and making theatre to connect with people (and maybe to meet women, too). Continue reading →

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Jon Stancato, director, and Kiran Rikhye, playwright, of Stolen Chair Productions’ “The Man Who Laughs”

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Stolen Chair Productions' "The Man Who Laughs"In this episode, GSAS! visits the incongruously-located Urban Stages (who’d think you’d find a cool downtown-style venue just down the street from MSG?) for Stolen Chair Theatre Company‘s production of The Man Who Laughs, billed as a “live silent film for the stage.”

And that’s exactly what it is — black & white sets & costumes (and make-up), brilliant live accompaniment by pianist Eugene Ma, dialogue cards to impart important spoken lines, even silent-film-era-style camera angles. And then there’s the free popcorn.

Listen in as GSAS! talks with director Jon Stancato and playwright Kiran Rikhye about encouraging the audience to get into costume, how to write a play without dialogue, and re-discovering the magic & possibilities of past performance styles. Continue reading →

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Jonathan Draxton, playwright & performer, and Kevin O’Rourke, director, of “Soldier”

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Soldier by Jonathan DraxtonThe theatre is “a place for seeing;” a place where we can ask the big difficult questions about what it means to be a human being in the world we’ve collectively made.

Soldier, written & performed by Jonathan Draxton and directed by Kevin O’Rourke, isn’t afraid to ask one of those very difficult questions: can we understand, and possibly forgive, someone who participated in some of the most appalling crimes in recorded human history? The play unfolds as a Nazi SS officer, waiting on the banks of the river Styx, recounts stories from his family & military life, all the while asking members of the audience for coins to pay for passage across the river for his men & himself.

Listen in as Jonathan, Kevin & I talk about provoking & inviting the audience into the performance, attempting to get at the humanity of a soldier, and “going through the fire.”

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The Plowmen present
Soldier

Directed by Kevin O’Rourke
Written, performed and produced by Jonathan Draxton

December 11–22, 2012
HERE Arts Center
145 Sixth Avenue
Tickets available from the HERE website

Soldier by Jonathan Draxton, photo by Kenna Draxton

Kelly O’Donnell, Gus Schulenburg, and Adam Szymkowicz of Flux Theatre Ensemble’s “Hearts Like Fists”

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…is this thing on?

Apologies that Go See a Show! has been out of commission for the past couple of months. But never fear — we’re back!

Flux Theatre Ensemble's "Hearts Like Fists"And speaking of “never fear,” the podcast makes its triumphant return with an episode about a comic-book-superhero-noir-thriller presented by Flux Theatre Ensemble: Hearts Like Fists.

Listen in as Flux founders Kelly O’Donnell (director), Gus Schulenburg (actor, “Dr. X”), and Adam Szymkowicz (playwright) talk about development of the play with Flux, writing & “getting there” with difficult scripts, and roles that know what they want.

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Flux Theatre Ensemble presents

Hearts Like Fists
by Adam Szymkowicz
directed by Kelly O’Donnell
Nov 30 – Dec 15, 2012

The Secret Theatre
44-02 23rd Street
Long Island City, NY 11101

tickets available via OvationTix

Andrew Goffman, playwright & performer, and director Charles Messina of “The Accidental Pervert”

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The Accidental Pervert

It might seem surprising to hear that an off-off-Broadway show has been running for three years, to consistently packed houses. Then again, when that show is a frank, honest, laugh-filled discussion of a young man’s coming-of-age story via his Dad’s porn collection and his own subsequent addiction to said porn…well, you know there’s going to be a little something in there for everyone.

In this episode of Go See a Show!, we’ve got an interview with playwright & actor Andrew Goffman, the self-described title character of The Accidental Pervert. His autobiographical one-man show is part theatre, part stand-up, (almost) entirely true, and all heart.

The Accidental PervertListen in as Andrew and director Charles Messina discuss the broad appeal of a show about a kid’s connection to his father through porn, the porn-addicts in trenchcoats who are disappointed by the show, becoming an electrician by necessity, and how to keep a show that’s been running for over three years fresh.

Oh, and stick through to the end to hear Andrew’s “sexy voice.”

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The Accidental Pervert, photo by Paul Urban“…if you ever forget your lines, just start moving. Start cleaning up the stage. And a lot of these off-Broadway theaters need cleaning anyway…”

The Accidental Pervert
Fridays & Saturdays @ 7pm
The 13th Street Repertory Company
50 West 13th Street – between 5th & 6th Aves

All Seats $30
Tickets available via OvationTix, or call 212-352-3101
or, visit the 13th Street Repertory Box Office