Listen in as the co-creators of Trump Lear, writer/performer David Carl & director Michole Biancosino, discuss their collaboration to put this piece together, playing Trump (and finding a way around the fact that Trump is inherently not funny), complicity, how to avoid preachy political theatre, tearing yourself down in your own piece, the importance of an excellent technician at the board, and the benefit of doing solo shows.
“…yeah, Trump and Shakespeare don’t really go together, usually…”
“Well, it works really well, in this instance…”
We all know the maxim: “power corrupts, and absolute power corrupts absolutely.”
It’s the dangers of unchecked power & blind ambition that unites the two narratives of Roots & Wings Theatrical‘s new play Rise.
In one thread: an operatic telling of the story of Elagabalus, the boy emperor of Rome who overturned gods, prostituted himself in the temple, and demanded a sex change operation—following the ego-maniac emperor, his naive formerly-chaste Vestal Virgin lover, his scheming grandmother, and his ambitious mother willfully ignoring her son’s flagrant (and dangerous) disregard for prudence.
In the other: a modern drama of an ego-maniac porn star, his naive young lover, his scheming agent, and the ambitious young lady blind to whom she hurts on her rise to the top.
…starting to see where this is going?
If you’re curious to see (and hear) more, listen in to this episode of the podcast with Rise playwright Joseph Samuel Wright and composer David Carl as they discuss empire-level intrigue, big voices in small spaces, and rising vs. rising above. Continue reading →