Nick Benacerraf, Jess Chayes, Stephen Aubrey, and Edward Bauer of The Assembly’s “HOME/SICK”

HOME/SICK by The Assembly at The Living TheatreFor this 50th podcast of Go See a Show!, I present to you an episode recorded half a year ago, but that might be one of the most interesting interviews I’ve done.

As part of last summer’s Underground Zero Festival, The Assembly presented HOME/SICK, a brilliant, personal, beautiful, and exhaustively researched show dramatizing events in the history of the Weather Underground.

Though I knew when I recorded it that I wouldn’t be able to get this interview up before their show closed, my apologies to the good people at The Assembly for taking half a year to post this.

But it seems it was somewhat serendipitously timed, as the show was one of the last to occupy The Living Theatre’s space on Clinton Street, which was recently shuttered. Reports of the demise of The Living Theatre as a company have thankfully been greatly exaggerated (guilty as charged; see the GSAS! Facebook page for my mini-obit on the company), but whatever the current state and future of the company, here’s wishing all best to Judith, Brad, and everyone at The Living Theatre for this next chapter of the company’s long and amazing history.

Listen in as director Jess Chayes, dramaturg Stephen Aubrey, designer Nick Benacerraf, and actor Edward Bauer, all core members & artistic directors of The Assembly, discuss complicated empathy, theatre as a political act, and why the company looked to a radical political movement from over 40 years ago to create a play in the relatively peaceful U.S. of 2012.

“I don’t trust a mission statement that you can achieve on the first try.” Continue reading

Jon Stancato, director, and Kiran Rikhye, playwright, of Stolen Chair Productions’ “The Man Who Laughs”

Stolen Chair Productions' "The Man Who Laughs"In this episode, GSAS! visits the incongruously-located Urban Stages (who’d think you’d find a cool downtown-style venue just down the street from MSG?) for Stolen Chair Theatre Company‘s production of The Man Who Laughs, billed as a “live silent film for the stage.”

And that’s exactly what it is — black & white sets & costumes (and make-up), brilliant live accompaniment by pianist Eugene Ma, dialogue cards to impart important spoken lines, even silent-film-era-style camera angles. And then there’s the free popcorn.

Listen in as GSAS! talks with director Jon Stancato and playwright Kiran Rikhye about encouraging the audience to get into costume, how to write a play without dialogue, and re-discovering the magic & possibilities of past performance styles. Continue reading

Meghan Finn, Cory Einbinder, and Kalle Macrides of Adhesive Theater Project’s “The Service Road”

Adhesive Theater Project's "The Service Road," by Erin Courtney

For this episode, Go See a Show! braves the wilds of DUMBO to check out Adhesive Theater Project‘s world premiere production of Erin Courtney’s The Service Road, which takes place just down the road a piece in Prospect Park in the wake of a tornado that touched down in 2010.

Sitting amidst the puppets, personal effects, and temporary tattoos of their dressing room at Voorhees Theater, I spoke with director Meghan Finn, actor/Artistic Director Cory Einbinder, and actress/Executive Director Kalle Macrides about this unique piece of theatre.

Listen in as Meghan, Cory, and Kalle (with a special surprise appearance by Big Headed Toddler puppeteer Caroline Tamas) discuss the luxury (and illusion) of having time, creating & playing a video puppet (the aforementioned toddler), developing a play about a storm in Brooklyn in the midst of another storm in Brooklyn, and the amazing opportunities presented by Adhesive’s residency with Theatreworks at City Tech’s Entertainment Technology Department. Continue reading

Jonathan Draxton, playwright & performer, and Kevin O’Rourke, director, of “Soldier”

Soldier by Jonathan DraxtonThe theatre is “a place for seeing;” a place where we can ask the big difficult questions about what it means to be a human being in the world we’ve collectively made.

Soldier, written & performed by Jonathan Draxton and directed by Kevin O’Rourke, isn’t afraid to ask one of those very difficult questions: can we understand, and possibly forgive, someone who participated in some of the most appalling crimes in recorded human history? The play unfolds as a Nazi SS officer, waiting on the banks of the river Styx, recounts stories from his family & military life, all the while asking members of the audience for coins to pay for passage across the river for his men & himself.

Listen in as Jonathan, Kevin & I talk about provoking & inviting the audience into the performance, attempting to get at the humanity of a soldier, and “going through the fire.”

The Plowmen present
Soldier

Directed by Kevin O’Rourke
Written, performed and produced by Jonathan Draxton

December 11–22, 2012
HERE Arts Center
145 Sixth Avenue
Tickets available from the HERE website

Soldier by Jonathan Draxton, photo by Kenna Draxton

Kelly O’Donnell, Gus Schulenburg, and Adam Szymkowicz of Flux Theatre Ensemble’s “Hearts Like Fists”

…is this thing on?

Apologies that Go See a Show! has been out of commission for the past couple of months. But never fear — we’re back!

Flux Theatre Ensemble's "Hearts Like Fists"And speaking of “never fear,” the podcast makes its triumphant return with an episode about a comic-book-superhero-noir-thriller presented by Flux Theatre Ensemble: Hearts Like Fists.

Listen in as Flux founders Kelly O’Donnell (director), Gus Schulenburg (actor, “Dr. X”), and Adam Szymkowicz (playwright) talk about development of the play with Flux, writing & “getting there” with difficult scripts, and roles that know what they want.

Flux Theatre Ensemble presents

Hearts Like Fists
by Adam Szymkowicz
directed by Kelly O’Donnell
Nov 30 – Dec 15, 2012

The Secret Theatre
44-02 23rd Street
Long Island City, NY 11101

tickets available via OvationTix

Lindsey Moore Sproul & Jeff Sproul, of No Tea Productions’ “Space Captain: Captain of Space!”

As you may have guessed from the fact that I produce this podcast, I love off-off-Broadway theatre. And one of the chief reasons for this love is the opportunity for those of us in the off-off community to explore different ways of bringing things to the stage that one might not presume could be brought to the stage: things like epic space battles, creepy alien defenders of an intergalactic oracle, a ferocious giant feline — and doing an entire play in black-and-white (!?!?).

On this episode of the podcast, Go See a Show! talks with director Lindsey Moore Sproul along with her No Tea Productions collaborator (& spouse), playwright & actor Jeff Sproul, about their new show Space Captain: Captain of Space!, running at The Kraine Theater.

Take a journey along with the X-1 rocketship, and listen in as Jeff & Lindsey talk about the trajectory of No Tea, creating those epic space battles live onstage, seamlessly mixing stage & screen, and making the couple’s cat Fish into an awesome alien monster.

No Tea Productions presents
Space Captain: Captain of Space!

written by Jeff Sproul
directed by Lindsey Moore Sproul

The Kraine Theater
85 East 4th Street
New York, NY 10003

thru September 15, 2012
every Thursday and Friday night, plus Saturdays September 1st and 15th only
all shows at 8:00 p.m.
tickets available via Brown Paper Tickets

Andrew Goffman, playwright & performer, and director Charles Messina of “The Accidental Pervert”

The Accidental Pervert

It might seem surprising to hear that an off-off-Broadway show has been running for three years, to consistently packed houses. Then again, when that show is a frank, honest, laugh-filled discussion of a young man’s coming-of-age story via his Dad’s porn collection and his own subsequent addiction to said porn…well, you know there’s going to be a little something in there for everyone.

In this episode of Go See a Show!, we’ve got an interview with playwright & actor Andrew Goffman, the self-described title character of The Accidental Pervert. His autobiographical one-man show is part theatre, part stand-up, (almost) entirely true, and all heart.

The Accidental PervertListen in as Andrew and director Charles Messina discuss the broad appeal of a show about a kid’s connection to his father through porn, the porn-addicts in trenchcoats who are disappointed by the show, becoming an electrician by necessity, and how to keep a show that’s been running for over three years fresh.

Oh, and stick through to the end to hear Andrew’s “sexy voice.”

The Accidental Pervert, photo by Paul Urban“…if you ever forget your lines, just start moving. Start cleaning up the stage. And a lot of these off-Broadway theaters need cleaning anyway…”

The Accidental Pervert
Fridays & Saturdays @ 7pm
The 13th Street Repertory Company
50 West 13th Street – between 5th & 6th Aves

All Seats $30
Tickets available via OvationTix, or call 212-352-3101
or, visit the 13th Street Repertory Box Office

Frank Cwiklik, director of DMTheatrics’ “FINAL CURTAIN: The Last of Ed Wood”

Final Curtain: The Last of Ed WoodI’m sure we’ve all noticed the trend in theatre to take material from the film world and put it upon the stage — look at the Broadway listings, and you’re sure to see what I mean. Director Frank Cwiklik of DMTheatrics is also in the business of bringing the big screen to the live stage, but right now he’s not working with “successful” films — he’s working with material from Ed Wood, the much-maligned/cultishly-adored1950s sci-fi/noir/horror/strange film writer/director/producer/actor. And for FINAL CURTAIN: The Last of Ed Wood, he’s got 5 (five!) Wood pieces running in rep at The Red Room.

After opening night of Bride of the Monster paired with The Sinister Urge!, Frank took a break from the madness to discuss the origins of his putting Ed Wood onstage, technical difficulties as aesthetic choices, playwrighting by necessity, and giving the man some have called “the worst director in history” a little respect.

DMTheatrics presents

FINAL CURTAIN: The Last of Ed Wood

directed by Frank Cwiklik

Remaining performances:
TUE JUNE 26 8 PM The Ed Wood Memorial Burlesque Blowout
WED JUNE 27 8 PM The Violent Years!, 9:30 PM Hot Ice
THURS JUNE 28 8 PM Night of the Ghouls, 9:30 PM The Violent Years!
FRI JUNE 29 7:30 PM The Sinister Urge PLUS a retrospective of past DMT B-movie shows
SAT JUNE 30 8 PM Hot Ice, 9:30 PM Bride of the Monster
SUN JULY 1 1 PM Matinee Double Feature: Night of the Ghouls/The Violent Years!
8 PM Hot Ice, 9:30 PM The Sinister Urge!

FINAL CURTAIN: The Last of Ed Wood, "Bride of the Monster"FINAL CURTAIN: The Last of Ed Wood, "The Sinister Urge!"FINAL CURTAIN: The Last of Ed Wood, "The Sinister Urge!"

The Cast & Director of Playhouse Creatures’ “Love Song”

Playhouse Creatures' production of "Love Song"If you’ve never been to the Access Theater, it might seem a little out of place; it’s four flights up in a nondescript building just south of Canal Street, and if not for the sandwich board out in front, you could easily miss it.

But you shouldn’t miss what’s going on in one of the theaters that lives up those four flights: a lovely revival of John Kolvenbach’s Love Song, presented by Playhouse Creatures.

Listen in to this episode of Go See a Show! as the cast — Eric Doss, Sarah Koestner, Patricia Duran, and Joseph W. Rodriguez — and director, Kenny Wade Marshall, discuss finding your character in yourself, sentimentality vs. being present, and the benefits of working together as an ensemble for years.

Take the stairs.

Playhouse Creatures presents

Love Song
by John Kolvenbach

June 9-24th
Wednesday – Saturday @ 8PM
Sundays @ 3PM
*Special added Performance Tuesday June 19th @ 8PM!

Tickets: $18, available via SmartTix

Access Theatre
380 Broadway @ White Street

Playhouse Creatures presents John Kolvenbach's "Love Song"

Playhouse Creatures presents John Kolvenbach's "Love Song"

Playhouse Creatures presents John Kolvenbach's "Love Song"

photos by Justin Dodd

Cailin Heffernan, Tim Errickson, & Sue Abbott of Boomerang Theatre Company’s “The Real Thing”

Boomerang Theatre Company presents Spring Tides, Much Ado About Nothing, and The Real Thing

Has Go See a Show! ever been outside of Manhattan? I can’t remember even seeing a show in my home borough of Brooklyn that I’ve covered for the podcast…kind of crazy that it’s taken 24 episodes to get out of Mannahatta…

…but here we are, at Long Island City’s The Secret Theatre, for Boomerang Theatre Company’s production of The Real Thing by Tom Stoppard. Director Cailin Heffernan, Boomerang Artistic Director Tim Errickson, and Managing Director Sue Abbott joined me for a podcast interview after I saw a performance of the show last week, to talk about running a lesser-produced Stoppard in rep with a Shakespeare comedy and a contemporary comedy, making one set work between three different shows, rock & roll in Stoppard’s work…and more.

Remember: always sit in the front row.


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Boomerang Theatre Company presents
The Real Thing
by Tom Stoppard
The Secret Theatre
4402 23rd Street
Long Island City, NY 11101
Saturday March 3rd @ 8pm
Sunday March 4th @ 3pm
Monday March 12th @ 8pm
Wednesday March 14th @ 8pm
Saturday March 17th @ 8pm
Sunday March 18th @ 3pm

Thursday March 22nd @ 8pm
Friday March 23rd @ 8pm
Saturday March 24th @ 3pm