Sara Fellini, Jillian Cicalese, & Caitlin Dullahan-Bates of “Ectoplasm”

Spit & Vigor presents ECTOPLASM, written & directed by Sara Fellini, at The Players Theatre, 2022Listen in as Ectoplasm playwright & director Sara Fellini, along with cast members Jillian Cicalese and Caitlin Dullahan-Bates, discuss “life and death and lust and love,” the stories we tell ourselves as we try to determine the truth, navigating society’s return to live in-person theatre while COVID is still a thing, layers of artifice and reality, and what it means to be making work together again.

“Right now, we don’t need tv. We don’t need movies. We have SO MANY SCREENS…you need a human being in front of you, who might make a mistake…who might do something brilliant and amazing that you would never see, you’d never feel the energy in the room…”

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John Bell, of Bread & Puppet Theater

Bread and Puppet Theater presents Aeschylus' THE PERSIANS and the 2021 iteration of OUR DOMESTIC RESURRECTION CIRCUS at Theater for the New City, December 2021Listen in as longtime Bread & Puppet Theater collaborator John Bell discusses the history and activism of the company, bringing together collaborators from disparate locations, an “accessible and unpretentious” style of theater,” the use and meaning of different kinds of chairs, survival & mutual support, and the magical precarity of live performance.

“…it’s a different type of theater work than what I think of as ‘straight theater’…it’s different, it’s looking around and making due with what’s there…creating from your own experience, using what you’ve got, not being hampered or set back by the challenges, but just sort of making it happen with whatever you have with you…”

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Sean Williams, Jordana Williams, & Mac Rogers of Gideon Media

Gideon MediaListen in as producer/actor Sean Williams, director Jordana Williams, and playwright/actor Mac Rogers of Gideon Media/Gideon Productions discuss how they connected with legendary playwright Wallace Shawn to bring two of his stage plays to the radio drama realm, the outgrowth of Gideon Media from Gideon Productions, adapting Mac’s indie plays for audio podcasts, using short-hand with your long-time collaborators, getting through (and out of) the pandemic, how to get that “indie theatre” feel on the mic, the benefits of creating in a new medium, and why, come what may, we’ll all be back in those tiny dark spaces telling stories together, soon.

“…at any second, the whole thing might fall apart, and at any second, something magical might happen…”

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Genny Yosco of “im ur hamlet.”

Listen in as Genny Yosco, the writer & director of (and an actor in!) im ur hamlet., discusses writing through food poisoning, creating for the Zoom medium, knowing who it is your parodying, creating a Shakespeare festival from afar, making community during a pandemic, and what happens when everyone wants to be the star.

“One of the things about this cast is…they all love each other, and I love all of them, so even though we were all playing at odds with each other, there still was this overlying, person-to-person silent communication that we all did really enjoy each other, which was perfect…”

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Richard Thieriot & Therese Plaehn of “Monsoon Season”

All For One Theater presents MONSOON SEASON by Lizzie Vieh, directed by Kristin McCarthy ParkerListen in as the performers of Lizzie Vieh’s new play Monsoon Season, Richard Thieriot & Therese Plaehn, discuss the development of this play from a 7-minute one-night-only solo piece to a set of solos, making something horrifying but also incredibly funny, how your performance changes when a play’s world expands, the benefit of working with smart, generous, welcoming people, and what can can happen when the seed of a piece is tossed into fertile ground.

“…so it’s dark, and the emotional terrain is dark, but there’s also, hopefully, occasionally, laughs […]”
“…I remember being disturbed…and sure enough, it’s funny as hell…”

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Patricia Lynn, Philip Estrera, & Natalie Hegg of “Strangers in the Night”

Hunger and Thirst Theatre presents STRANGERS IN THE NIGHT at The West End TheatreListen in as “Strangers in the Night” contributing playwrights Patricia Lynn (writer of Screwed, portrayer of “Molly”, director of Frank) & Philip Estrera (writer of the Frank monologues, who also performs “Stranger” in Bottling Dreams of the Tearful Don’t-Knower), along with fellow Bottling… actor Natalie Hegg (“Other Half”), discuss creating a complete theatrical experience out of one act plays, sketches in rehearsal, provocative nocturnal stories, doing that one thing well, collaboration, different extremes of theatricality, & the intimacy that can develop between total strangers.

“…one little thing would totally change the way the scene would go…a creative, supportive battleground…”

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Matthew Freeman, Robert Honeywell, & David Cote of “The Sea The Mountains The Forest The City The Plain”

Theater Accident presents THE SEA THE MOUNTAINS THE FOREST THE CITY THE PLAIN by Matthew Freeman, directed by David Cote, performed by Robert Honeywell, at The BrickListen in as The Sea The Mountains The Forest The City The Plain playwright Matthew Freeman, along with director David Cote & performer Robert Honeywell, discuss how to discover your character, propulsive changes & musicality, abstract simplicity, friendship and aging, moving through the words, finding your collaborators, embracing your influences, and moving on to the next thing on your journey.

“…change is a constant, and change can come with a sense of loss…you hit this sort of middle part of your life, and you look around, and you miss the things that came before, even if you love the life that you have. So I think that feeling is inspiring the piece a little bit…”

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Lauren Hlubny & Thomas Giles of “Thoughts & Prayers”

Danse Theatre Surreality presents THOUGHTS & PRAYERS, directed and created by Lauren Hlbuny, composed by Thomas GilesListen in as the director/creator of Thoughts & Prayers, Lauren Hlubny, along with composer/”Felix” Thomas Giles, discuss the meaning of “dance-theatre concerto,” encouraging presence, developing a process to combine artistic disciplines, starting conversations, and not only reacting but taking action.

“…I think it’s very easy to become numb to it, and not know how to take action…creating this piece came, for me, as a point of wanting to do something, or at least wanting to be involved with other people, and start conversations…”

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David Barlow & Danielle Skraastad of “Havel: The Passion of Thought”

PTP/NYC presents HAVEL: THE PASSION OF THOUGHT, in rep with DOGG'S HAMLET, CAHOOT'S MACBETH at Atlantic Stage 2Listen in as actors David Barlow & Danielle Skraastad of PTP/NYC‘s production of Havel: The Passion of Thought—three short plays from Vaclav Havel, bookended by Harold Pinter’s The New World Order and Samuel Beckett’s Catastrophe—discuss why these plays work so well in conversation, the difference between performing them together in 1991 vs. in 2019, “On Tyranny,” the power of making theatre, “the politics of kindness,” and the importance of living the truth.

“…they felt so current, and felt so hopeful, in a galvanizing way…that art matters. Words matter. What do you want to do?…”

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Tana Sirois & Maria Swisher of “Crushing Baby Animals”

CRUSHING BABY ANIMALS, created and performed by Maria Swisher & Tana Sirois, presented by Dirt [Contained] at the Plaxall GalleryListen in as the creators & performers of Crushing Baby Animals, Maria Swisher & Tana Sirois, discuss amazing synchronicity, combining genres in a multi-dimensional world, structured improv, cross-pollination among artists, “stylistic dis-integrity,” making space for the chaos and the wonder, how to build intense trust with your artistic collaborators, how to stick through the difficult stuff, and how “our sense of self is shaped by the people around us.”

“…stay with the trouble…something that we have learned is even when things feel very uncomfortable, or when you find yourself having to ask something that’s difficult of your partner […] and consistently make the decision to stick with it, and to experience what feels troubling and complicated, and know that you have a shared goal of moving past it […] and let that influence your work, and accept each other for that…”

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