Jennifer Fell Hayes & Kate Grimes of “Rosemary and Time”

ROSEMARY AND TIME at Paradise Factory, written by Jennifer Fell Hayes, directed by Kathy Gail MacGowanListen in as playwright Jennifer Fell Hayes and actor Kate Grimes of Rosemary and Time discuss beginning with a true story before letting the playwright’s imagination take over, mastering the Yorkshire accent, figuring out where in time your play begins, issues of class in the U.K. vs. the U.S., throwing in local turns of phrase, and dealing with issues of “shame and grief and connection and the past and guilt.”

“…having met the two women […] I really was very, very touched by what had happened to them, and promised them I would really try to do the best I could…a truthful play that might say something about the human condition, about love and loss and life, all those major, major themes that we try to wrestle with…”

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Larry Phillips, Ben Liebert, and Peter Buck Dettmann of “Koalas are Dicks”

Randomly Specific Theatre presents KOALAS ARE DICKS, written by Larry Phillips, directed by Ben LiebertListen in as actor Peter Buck Dettmann (“Brody”), director Ben Liebert, and playwright/actor Larry Phillips (“Davey”) of Koalas are Dicks discuss turning a six-foot man into a koala, finding sight gags, inspiration from Charlie Sheen, writing to your actor’s Aussie accent, finding a balance between groan-worthy and intellectual humor, and using abstraction through the absurd to get closer to the ridiculous & terrible truth.

“…there’s a lovely irony that the koala is the only one who seems to understand how worthless what they’re doing is…it is very liberating, that fantasy element…being a six-foot-tall dude playing a tiny koala, if the audience follows you on that, they’re with you…”

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Brett Evan Solomon, Kelsey Lurie, and Gabriel Vasquez of “SOMEONEPLEASELISTENANDUNDERSTAND (they’re wiretapping our brains)”

"SOMEONEPLEASELISTENANDUNDERSTAND(they’re wiretapping our brains)" at The Brick, part of the 2018 Exponential FestivalListen in as writer & performer Brett Evan Solomon, director & performer Kelsey Lurie, and performer Gabriel Vasquez of SOMEONEPLEASELISTENANDUNDERSTAND (they’re wiretapping our brains) discuss collaborative creation, mediatization, putting a podcast into the live theatre realm, “abstracting feelings,” how technology and the people around you can shape identity, surveillance, and developing a shared language with your close collaborators.

“…that screen is not a threat to me as a performer; that’s my friend…”

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Paul Pinto of “Thomas Paine in Violence”

HERE and thingNY present THOMAS PAINE IN VIOLENCE, created, written, and scored by Paul Pinto, directed by Rick BurkhardtListen in as Paul Pinto, composer/performer of the new opera Thomas Paine in Violence, discusses difficult elevator pitches, millions of radio signals heading in millions of directions, “a shit-ton of words,” why Thomas Paine deserves this musical treatment,live editing, debating the ideas Paine himself was debating over 200 years ago, “words as texture, language as music,” and writing for his thingNY band-mates.

“…it’s juxtaposing Thomas Paine’s incredible writing with pop-culture…”
“…whatever that is…”
“…whatever’s on my brain at the time…it really is like radio stations changing all the time…”

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Christie Perfetti Williams & Charmaine Broad of “The Werewolf of Washington Heights”

Carnival Girls Productions presents THE WEREWOLF OF WASHINGTON HEIGHTS, written by Christie Perfetti Williams, directed by Charmaine BroadListen in as The Werewolf of Washington Heights playwright Christie Perfetti Williams and director Charmaine Broad discuss adapting your own work to the stage, why you should put “awesome, talented, and kind” people in your cast, the importance of putting women onstage (and in the producer’s chair), doing your job vs. doing what’s right for the world, swapping the genders of your characters, what’s next for Carnival Girls, and what happens to a family when tragedy strikes in a dystopian near-future U.S.A.

“…Imogene says, ‘we all, all of us as humans just want to be heard, our stories want to be told.’ I think that goes across the board, for every person on the planet, we just want to know […] that our voices have been heard. And I think for women, we haven’t been. So this play was hopefully a small little piece of what’s missing in the puzzle…”

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J. A. Moad II of “Outside Paducah: The Wars at Home”

Poetic Theater Productions presents OUTSIDE PADUCAH THE WARS AT HOME, written and performed by J. A. Moad II, directed by Leah CooperListen in as the writer & performer of Outside Paducah: The Wars at Home, J. A. Moad II, discusses creating dialogue through story and art, how he got to the stage from the page, the seeds of the stories he tells in this show, how those stories have touched audience members, society’s role in taking care of its veterans, and how war affects not only those who serve on the front lines, but also those who serve without a uniform at home.

“…these stories live in me…everything comes down to story, right? It’s that basic human impulse, from the time we’re a little kid and the first thing we say to our dad is, ‘tell me a story.’ If we embrace that idea, of how we learn through story, how story changes the way we see the world and the way we imagine the possibilities, it invites us into all these other places that we cannot begin to see…”

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James Godwin of “The Flatiron Hex”

Little Shadow Productions presents THE FLATIRON HEXListen in as James Godwin, co-creator and performer of The Flatiron Hex, discusses his roots in puppetry, accidental iconography, flood myths, how you know when your puppet is complete, astounding coincidences, mocking the sacred to make it stronger, how the show requested the puppets (and extreme physicality), and why you should make the kind of things that you enjoy.

“…you know your [work] is done when you’re sitting there, and you decide, ‘there’s one more thing I’m going to change.’ Don’t ever do that change. Because if you think there’s only one more thing to change, you’re about to destroy [it]…”

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Chesney Snow & Rebecca Arends of “The Unwritten Law”

THE UNWRITTEN LAW, created and performed by Chesney Snow with direction and choreography by Rebecca Arends, at Dixon PlaceListen in as The Unwritten Law co-creator & performer Chesney Snow, along with co-creator, director, performer & choreographer Rebecca Arends, discuss working with collaborators who can help turn your story into art, making “something different,” microphones and music, “the magic that happens between people onstage,” American issues, and how sound and movement come together to tell this very personal story.

“…I tell people, they’re coming to see a story of America…we’re looking at black life, and I’m hoping they’ll be able to follow the journey of where we’ve come from…I don’t want to preach at people, but I would love for people to hear the story, and maybe they’ll have a different perspective on some of the things that are happening today…”

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Marina Tempelsman & Niccolo Aeed of “Unpacking”

Marina and Nicco present UNPACKING, a Ghost Story Told in the Dark, at HERE Arts CenterListen in as the duo Marina & NiccoMarina Tempelsman & Niccolo Aeed—discuss beginning their new show Unpacking from a design idea, introducing nostalgia via live music, ephemera, melancholia in comedy, what happens when you trust your audience with your lighting design, and the ghosts that imagining the future can summon.

“…this is a very literal answer to, ‘why is this live,’ but I think it checks out really beautifully. It’s really fun and interesting to see the collective personality of an audience having such a direct impact on what you’re seeing on the stage…”

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Maria Deasy & Rachel Dart of “Mine”

MINE, written by Maria Deasy and directed by Rachel Dart, part of the Broadway Bound Theatre FestivalListen in as Mine playwright Maria Deasy and director Rachel Dart discuss making connections, inspiration from Maria’s paralegal background, the brand-new Broadway Bound Theatre Festival, discoveries in rehearsal, how to deal with a show inspired by real-life events, how to be “rich and spare,” and where we fit in as links on this human chain.

“…I didn’t want to make a polemic…I didn’t want to tell a story from event-to-event-to-event…I wanted to explore the idea that we’re all connected…”

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