Listen in as Paul Pinto, composer/performer of the new opera Thomas Paine in Violence, discusses difficult elevator pitches, millions of radio signals heading in millions of directions, “a shit-ton of words,” why Thomas Paine deserves this musical treatment,live editing, debating the ideas Paine himself was debating over 200 years ago, “words as texture, language as music,” and writing for his thingNY band-mates.
“…it’s juxtaposing Thomas Paine’s incredible writing with pop-culture…”
“…whatever that is…”
“…whatever’s on my brain at the time…it really is like radio stations changing all the time…”
Regular listeners know very well by now that I love to enjoy a drink while I’m at a show. But I don’t think I’ve been to a performance that integrates imbibing as well as this one.
In Potion: A Play in Three Cocktails, playwright Kiran Rikhye, director Jon Stancato, and the lovely troupe at Stolen Chair Theatre Company have not only created a show in a bar with booze readily available for consumption, but they grab a big swizzle stick and mix the cocktails into the drama. The very act of drinking the custom “potions” served throughout the play serves the narrative, and its premise, in a brilliant and beautiful way.
This is a fun night at the theatre, y’all. A fun night of theatre at the bar. With delicious custom cocktails. What more could you want?
Listen in as Jon & Kiran discuss crazy ways to write plays, “potion” as metaphor for the transformation of the actor, how opera is like a great night out at a bar, and scratching your play like it’s on a turntable.