Paul Pinto of “Thomas Paine in Violence”

HERE and thingNY present THOMAS PAINE IN VIOLENCE, created, written, and scored by Paul Pinto, directed by Rick BurkhardtListen in as Paul Pinto, composer/performer of the new opera Thomas Paine in Violence, discusses difficult elevator pitches, millions of radio signals heading in millions of directions, “a shit-ton of words,” why Thomas Paine deserves this musical treatment,live editing, debating the ideas Paine himself was debating over 200 years ago, “words as texture, language as music,” and writing for his thingNY band-mates.

“…it’s juxtaposing Thomas Paine’s incredible writing with pop-culture…”
“…whatever that is…”
“…whatever’s on my brain at the time…it really is like radio stations changing all the time…”

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J. Alphonse Nicholson, Howard L. Craft, and Joseph Megel of “Freight: The Five Incarnations of Abel Green”

Freight: The Five Incarnations of Abel Green, written by Howard L. Craft, directed by Joseph Megel, and featuring J. Alphonse NicholsonPlaywright Howard L. Craft was tasked with creating a 10-minute play based on a work of art from the Ackland Art Museum’s permanent collection, and he chose Slow Down Freight Train, a painting by Rose Piper.

Actor J. Alphonse Nicholson tore into the script with the help of director Joseph Megel—and when it was over, they all wanted more.

So Craft when back to the page, and expanded a short play about a minstrel into an epic of the African American male across the 20th Century in America. That’s all I can really say to describe it: you’ve just got to see it. Seriously, you really should go see this one. It’s powerful, original theatre, and incredibly performed.

And before you go, listen in to this episode of the podcast as Alphonse, Howard, and Joseph discuss finding connections with characters across a century, old souls, chemistry with your collaborators, basketball metaphors for your team, and finding new things with every new incarnation of your production.

“…you live them. You don’t act them. You live them. And this is a piece that allows me to do that. I tell people all the time, ‘I hate acting. But I love living.'”

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