Christian Parker of “The First Line of Dante’s Inferno”

Listen in as Christian Parker, producer & director of The First Line of Dante’s Inferno, discusses blank slates, finding a rhythm, getting the audience ahead of what they’re experiencing, letting the humor live, and the weird magic that happens when people get lost in the woods.

“…I think more broadly, the play is about longing, and feeling lost in midlife, and loneliness, and what sort of questions we find ourselves having to answer in the middle of our lives when we’ve already made a bunch of choices, and have to make some decisions about whether we’re going to honor those, or take a totally new direction…”

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Paul Pinto & Kristin Marting of “Mano a Mano”

Listen in as Mano a Mano creator/composer/performer Paul Pinto, along with director Kristin Marting, discuss getting over live performance doomerism, celebrating/questioning/undressing/redressing/exposing masculinity, giving the audience access to the performer, theatrical collaboration, the work of the body in creating vocal sound, a work of art’s relevance in time and space, and giving the audience a good time.

“…I like to see theatre that impresses me…that makes me feel like, when I sit down there, not only can I not believe what’s going on onstage, but I want to jump onstage and take part…”

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Elizabeth Hess, Katie Palmer, and Lucas Tahiruzzaman Syed of “Love Trade”

La Mama and The Hess Collective present LOVE TRADE, written and directed by Elizabeth HessListen in as Love Trade writer/director/performer Elizabeth Hess, along with collaborators/performers Katie Palmer and Lucas Tahiruzzaman Syed, discuss their collaborative process, feminist revenge fantasies, integrating and playing with the audience, fetishization of race, balloons, lived text, and performance poetry.

“…it’s a very hybrid approach to performance, and I am a magpie. I am thrilled that Lucas is foremost a musician…Katie is also herself an artistic director, and she’s got an incredibly strong dance background. I beg, borrow, and steal from that […] create [your] own hybrid approach that really resonates with [your] own voice and vision…”

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Heather Litteer and Elena Heyman of “Lemonade”

LEMONADE by Heather Litteer at La MaMaWhat to do when you’ve been typecast by the film and TV industry?

If you are actor, poet, writer and performance artist Heather Litteer, you embrace it, work it, and try to enjoy the process, no matter how difficult…AND you continue to make theatre that explores ALL the complex layers of your humanity—not just the ones that Hollywood knows you for.

This journey has culminated in Lemonade, a one-woman autobiographical show, by and about Heather Litteer, currently playing in The Club at La Mama. In the show, she explores her screen career, playing prostitutes, junkies and strippers, her real life in New York as an independent woman in the 1990’s downtown theatre scene and her relationship with her traditional, “Steel Magnolia” mother in the South.

GSAS! correspondent Tara Gadomski went downtown to see the show, which she called “a really cool party.” Listen in as she talks with Heather and director Elena Heyman about the conception of the show, how it became possible through a fellowship at La Mama from The William & Eva Fox Foundation and Theatre Communications Group, the current state of “downtown theatre,” the importance of wafting glitter on stage, and advice for young female actors.

“Work extremely hard. I think that young actresses could benefit from understanding how hard you have to work to make what you want happen.”

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Tomi Tsunoda, director of “Erosion: A Fable”

Loom Ensemble's "Erosion: A Fable"

For Go See a Show!‘s first episode featuring a show at the marvelous La MaMa (a place dear to my heart), we’ve got an interview with director Tomi Tsunoda, director of Loom Ensemble’s Erosion: A Fable, which is being presented in The Club as part of La MaMa’s 50th Anniversary Season.

Listen in as Tomi tells us about developing the piece with the ensemble, equates love with dirt from a homeless woman on the street, and describes how to play pvc pipe with flip-flops.

Sounds like a cool show, no?


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Loom Ensemble’s
Erosion: A Fable
directed by Tomi Tsunoda
thru February 26th, 2012
Friday at 10pm
Saturday at 5:30pm and 10pm
Sunday at 5:30pm
Tickets: $15, $10 for students/seniors
available from La MaMa online, in person at the box office, or by calling 212-475-7710

photos by Nimi Kadar

Loom Ensemble's "Erosion: A Fable"