FRIGID New York 2013

Posted on February 26, 2013 by robby

A bit of a different podcast this time out: in this episode, GSAS! interviews artists from seven of the thirty — yes, 30 — plays that are part of this year’s FRIGID New York festival, presented by Horse Trade Theater Group.

It should be noted, FRIGID isn’t just another festival. The participants are chosen at random, so no silly politicking is involved; and, all participants keep 100% of the box office sales for their show. Try finding that kinda deal as a performer anywhere else in this town. Very cool format. Hats off to Horse Trade for making this happen every year since 2007.

Kicking off the marathon of mini-interviews is Erez Ziv, Executive Director of FRIGID and Managing Director of Horse Trade, followed by, in order:

— director Nikki DiLoreto & playwright/performer Antonia Lassar of The God Box
— co-director/producer/performer Bricken Sparacino of Sisters Grimm: Fables of the Stage
— director Christina Massie, performer Emily Tuckman, and performer Sarah Jacobs of Commencing
— playwright & performer Nikhil Tilwalli of A Panda Suit, Pythagorus, and Plenty of Puns
— playwright & performer Chris Harcum of Two Lovely Black Eyes
— playwright & performer Lucas Brooks of VGL 5′ 4″ Top
— playwright & performer D’yan Forest of My Pussy is Purrin’ Again Continue reading →

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Matt Graham, writer & performer of “This Too Shall Suck”

Posted on February 22, 2013 by robby

"This Too Shall Suck" by Matt Graham I can completely identify with Matt Graham on at least one point: real men do indeed love cats (big shout-out to my man Compay).

Graham’s show, This Too Shall Suck, of which he is the writer and performer, was a standout in the 2012 New York International Fringe Festival, and now continues weekly at Soho Playhouse’s Huron Club.

The show is dark, autobiographical, incredibly personal…and funny. And yes, cats are involved.

Listen in to this episode of Go See a Show! as Matt talks about getting onstage for the first time in eight years, cats, and making theatre to connect with people (and maybe to meet women, too). Continue reading →

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Lawrence Jansen and Gregory Konow of Godlight Theatre Company’s “The Pilo Family Circus”

Posted on February 12, 2013 by robby

We’ve all got those friends who are terrified of clowns.

Godlight Theatre Company‘s world premiere of The Pilo Family Circus might be enough to turn you into that friend.

Adapted for the stage from the breakout debut novel of Australian writer Will Elliott, the show follows mild-mannered Jamie after he’s recruited by demented clowns for the circus. The clowns who won’t take “no” for an answer. And neither will “JJ,” Jamie’s face-painted alter-ego, who wants full ownership of their shared body.

In this episode, GSAS! talks with Lawrence Jansen (the dangerous & foul-mouthed “Gonko the Clown,” the green-haired guy in the last three photos below, with the half-yellow, half-red suit) and Gregory Konow (the impossibly tall & omnipresently creepy “Kurt Pilo” — that’s him in the background of every photo below) about not having the time for props, why the story is the most important thing, and delving into the darkness of the Pilo Family Circus.

“Don’t show. Just do it.” Continue reading →

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Jon Stancato, director, and Kiran Rikhye, playwright, of Stolen Chair Productions’ “The Man Who Laughs”

Posted on February 11, 2013 by robby

In this episode, GSAS! visits the incongruously-located Urban Stages (who’d think you’d find a cool downtown-style venue just down the street from MSG?) for Stolen Chair Theatre Company‘s production of The Man Who Laughs, billed as a “live silent film for the stage.”

And that’s exactly what it is — black & white sets & costumes (and make-up), brilliant live accompaniment by pianist Eugene Ma, dialogue cards to impart important spoken lines, even silent-film-era-style camera angles. And then there’s the free popcorn.

Listen in as GSAS! talks with director Jon Stancato and playwright Kiran Rikhye about encouraging the audience to get into costume, how to write a play without dialogue, and re-discovering the magic & possibilities of past performance styles. Continue reading →

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Meghan Finn, Cory Einbinder, and Kalle Macrides of Adhesive Theater Project’s “The Service Road”

Posted on January 17, 2013 by robby

For this episode, Go See a Show! braves the wilds of DUMBO to check out Adhesive Theater Project‘s world premiere production of Erin Courtney’s The Service Road, which takes place just down the road a piece in Prospect Park in the wake of a tornado that touched down in 2010.

Sitting amidst the puppets, personal effects, and temporary tattoos of their dressing room at Voorhees Theater, I spoke with director Meghan Finn, actor/Artistic Director Cory Einbinder, and actress/Executive Director Kalle Macrides about this unique piece of theatre.

Listen in as Meghan, Cory, and Kalle (with a special surprise appearance by Big Headed Toddler puppeteer Caroline Tamas) discuss the luxury (and illusion) of having time, creating & playing a video puppet (the aforementioned toddler), developing a play about a storm in Brooklyn in the midst of another storm in Brooklyn, and the amazing opportunities presented by Adhesive’s residency with Theatreworks at City Tech’s Entertainment Technology Department. Continue reading →

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The Cast & Crew of Perchance to Dream Theatre’s “Antigone”

Posted on January 10, 2013 by robby

This episode of Go See a Show! features the first-ever hat-trick on the show — the third episode featuring members of Perchance to Dream Theatre (listen to the first and second episodes here & here).

Joining me in the seating of Shetler Studios Theatre 54 to discuss the company’s own adaptation of Sophocles’ Antigone are director (and, speaking of hat tricks, fellow Sabres fan!) Emma Schimminger, set designer Luc S. Hotaling, and actors Megan Lee, Bret McCormick, Leanne Mercadante, Lauren Pennline, Brian Sheppard, and Kevin Paul Smith (with a quick shout-out from Stage Manager Aaron Salley).

Listen in as the cast & crew talk about how to create a modern version of a Greek classic collectively as a company, learning to be honest with each other for the sake of the work, and “day-dreaming” with the harsh deadlines of a 24-Hour play festival. Continue reading →

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Jonathan Draxton, playwright & performer, and Kevin O’Rourke, director, of “Soldier”

Posted on December 21, 2012 by robby

Soldier by Jonathan Draxton The theatre is “a place for seeing;” a place where we can ask the big difficult questions about what it means to be a human being in the world we’ve collectively made.

Soldier, written & performed by Jonathan Draxton and directed by Kevin O’Rourke, isn’t afraid to ask one of those very difficult questions: can we understand, and possibly forgive, someone who participated in some of the most appalling crimes in recorded human history? The play unfolds as a Nazi SS officer, waiting on the banks of the river Styx, recounts stories from his family & military life, all the while asking members of the audience for coins to pay for passage across the river for his men & himself.

Listen in as Jonathan, Kevin & I talk about provoking & inviting the audience into the performance, attempting to get at the humanity of a soldier, and “going through the fire.”

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The Plowmen present
Soldier

Directed by Kevin O’Rourke
Written, performed and produced by Jonathan Draxton

December 11–22, 2012
HERE Arts Center
145 Sixth Avenue
Tickets available from the HERE website

Soldier by Jonathan Draxton, photo by Kenna Draxton

Michael Poignand, Laura Iris Hill, Kathleen Foster, Matthew Foster, and Bryn Boice of Australian Made Entertainment’s “Speaking in Tongues”

Posted on December 12, 2012 by robby

One of the most beautiful things about New York City is its global nature; it truly feels like the center of everything, a place that people from all over the globe are drawn to. Three of the artists on this week’s episode are originally from the other side of the world, and are producing a play from their native Australia as part of the company’s mission to bring Aussie plays to New York.

If there’s more theatrical gold like this down under, Australian Made Entertainment is going to have much success Stateside.

Listen in as actors Michael Poignand & Laura Iris Hill, producers/actors Kathleen Foster & Matthew Foster, and director Bryn Boice of AME’s production of Andrew Bovell’s Speaking in Tongues discuss filling in the open spaces lovingly left by the playwright, creating two (and three) different characters each night, and bringing Australian works to the U.S.

“Dancing & shoes, dancing & shoes.”

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Australian Made Entertainment presents

Speaking in Tongues
by Andrew Bovell

directed by Bryn Boice

Theatre 54 @ Shetler Studios
244 W. 54th Street, 12th floor
(between Broadway & 8th Avenue)

November 30 – December 16, 2012
Wednesdays to Saturdays @ 8 p.m.
Sundays @ 2 p.m.

Tickets available via BrownPaperTickets

"Speaking in Tongues," photo by Kyle Groff

photos by Kyle Groff

Kelly O’Donnell, Gus Schulenburg, and Adam Szymkowicz of Flux Theatre Ensemble’s “Hearts Like Fists”

Posted on December 11, 2012 by robby

…is this thing on?

Apologies that Go See a Show! has been out of commission for the past couple of months. But never fear — we’re back!

And speaking of “never fear,” the podcast makes its triumphant return with an episode about a comic-book-superhero-noir-thriller presented by Flux Theatre Ensemble: Hearts Like Fists.

Listen in as Flux founders Kelly O’Donnell (director), Gus Schulenburg (actor, “Dr. X”), and Adam Szymkowicz (playwright) talk about development of the play with Flux, writing & “getting there” with difficult scripts, and roles that know what they want.

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Flux Theatre Ensemble presents

Hearts Like Fists
by Adam Szymkowicz
directed by Kelly O’Donnell
Nov 30 – Dec 15, 2012

The Secret Theatre
44-02 23rd Street
Long Island City, NY 11101

tickets available via OvationTix

Lindsey Moore Sproul & Jeff Sproul, of No Tea Productions’ “Space Captain: Captain of Space!”

Posted on September 6, 2012 by robby

As you may have guessed from the fact that I produce this podcast, I love off-off-Broadway theatre. And one of the chief reasons for this love is the opportunity for those of us in the off-off community to explore different ways of bringing things to the stage that one might not presume could be brought to the stage: things like epic space battles, creepy alien defenders of an intergalactic oracle, a ferocious giant feline — and doing an entire play in black-and-white (!?!?).

On this episode of the podcast, Go See a Show! talks with director Lindsey Moore Sproul along with her No Tea Productions collaborator (& spouse), playwright & actor Jeff Sproul, about their new show Space Captain: Captain of Space!, running at The Kraine Theater.

Take a journey along with the X-1 rocketship, and listen in as Jeff & Lindsey talk about the trajectory of No Tea, creating those epic space battles live onstage, seamlessly mixing stage & screen, and making the couple’s cat Fish into an awesome alien monster.

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No Tea Productions presents
Space Captain: Captain of Space!

written by Jeff Sproul
directed by Lindsey Moore Sproul

The Kraine Theater
85 East 4th Street
New York, NY 10003

thru September 15, 2012
every Thursday and Friday night, plus Saturdays September 1st and 15th only
all shows at 8:00 p.m.
tickets available via Brown Paper Tickets