Paul Pinto & Kristin Marting of “Mano a Mano”

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Listen in as Mano a Mano creator/composer/performer Paul Pinto, along with director Kristin Marting, discuss getting over live performance doomerism, celebrating/questioning/undressing/redressing/exposing masculinity, giving the audience access to the performer, theatrical collaboration, the work of the body in creating vocal sound, a work of art’s relevance in time and space, and giving the audience a good time.

“…I like to see theatre that impresses me…that makes me feel like, when I sit down there, not only can I not believe what’s going on onstage, but I want to jump onstage and take part…”

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Ed Schmidt of “Edward”

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Listen in as Ed Schmidt, creator and performer of Edward, discusses melodramatic origins to fictionalized short stories, a “theatrical epistolary novel,” doing what you can do and not what other playwrights do, cutting out the middle men, object—>story vs. story—>object, and finding the sustainable model that works for you.

“…somebody else’s life started to emerge from this, and at a certain point I realized, ‘this is a play, told this way.’ […] And I thought, ‘how could I do this thing, which is really kinda anti-dramatic…and make that theatrical in some way’…”

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Camber Carpenter of “In My Condition”

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Listen in as performer/producer/mom/singer/diva/creator of In My Condition, Camber Carpenter, discusses parenthood, the stand-up/cabaret intersection, the scariness of being brutally honest, Mother Nature’s trickery, adding in that ever-changing additional performer (the audience), letting loose, and taking the initiative to make art while being a mom.

“…our world is difficult in so many ways right now…bringing a little joy to somebody for a while is pretty important, I think…”

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Xhloe Rice & Natasha Roland of “What If They Ate the Baby?”

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Xhloe & Natasha present WHAT IF THEY ATE THE BABY? at SoHo PlayhouseListen in as What If They Ate the Baby? playwrights, directors, & performers Xhloe Rice and Natasha Roland—Xhloe & Natasha—discuss being fascinated by history, deep absurdity, dressing up in femininity (as opposed to the masculinity of their last NYC show), zooming into a slice of life, true crime re-enactments, green spaghetti, candy-coated plasticky artifice, and not letting anything go to waste.

“…my biggest tip when you come see this show is, let it happen to you—don’t hurt yourself trying to get to the bottom, ‘what does this mean?’…just wait for the car ride home…”

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Joe Therrien, Ali Dineen, Darkin Brown, Tom Cunningham, Sam Wilson, & Jason Hicks of “Dimension Zero”

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DIMENSION ZERO by Boxcutter Collective, presented at HERE Arts CenterListen in as Dimension Zero co-creators, performers, and Boxcutter Collective members Joe Therrien, Ali Dineen, Darkin Brown, Tom Cunningham, Sam Wilson, & Jason Hicks discuss consensus not compromise, salad bars, writing and shaping earworms, grant-writing as production impetus, outside eyes, reality catching up to dark comedy, “following the giggle,” and how a collective comes together to create an anti-capitalist musical puppet show.

“…one of the reasons we made this show, is to not go insane…art allows you to take that thing you can’t deal with, and it allows you to put it into your hands to mess with. For us, with this show, it’s taking this planetary moment of terror…it allows us to at least put it in front of us, and put it in front of the audience, in a way we can feel empowered, and hopeful…”

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Alexandra Haddad of “Helen in Her Homeland”

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Frayed Knot Collective presents HELEN IN HER HOMELAND, written by Alexandra Haddad, directed by Jessica Wastchak, at Loft Story BrooklynListen in as Helen in Her Homeland playwright Alexandra Haddad discusses immersion & implication, fragments of poetry, working outward from dialogue, leaving arts admin jobs, listening without responding, writing as a director, what propels us through the difficulty of production, and “the spectrum between Sarah Ruhl and Sarah Kane.”

“…early on, Helen says, ‘you might think you’re above that,’ like, judging people by their appearance, but ‘you have a body, too, you have a face, too,’ and you know that those things have consequences in the world. And so, I do want the audience to feel both invited, and implicated in that conversation…”

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Eliza Palter, Vena Howard, & Kat Quiñones of “The Goo”

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New Relic Theatre presents THE GOO, written by K. Rose Dallimore, directed by Eliza Palter, at The Chain TheatreListen in as The Goo director Eliza Palter, along with performers Vena Howard & Kat Quiñones, discuss unintended distance from your friends, efficient vibes, the built-up pressure of your 20s, creating compelling stage pictures on a picnic blanket, activating ideas & notions, sitcom framing, being real & having the hard conversations, and what a modern examination of the themes of The Importance of Being Earnest could look like.

“…it’s an ensemble piece, it’s funny, it’s about a bunch of people sitting around and talking about nothing, getting nowhere…and while this play isn’t a one-to-one adaptation…you have this sense that there’s something burbling under the surface that we’re not quite getting at. It’s a meditation on authenticity, on performance…”

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Mark Lonergan, Ryan Shinji, & Book Kennison of “I’ll Take It”

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Parallel Exit presents I'LL TAKE IT at 3AM Theatre, created and conceived by Joel Jeske, directed by Mark Lonergan, photo by Maike SchulzListen in as I’ll Take It performer Ryan Shinji & composer Book Kennison, along with director Mark Lonergan, discuss success by proximity, coexisting in small spaces, conceptualization and minimizing, bodies and boxes in space, object manipulation, possible futures, dancing around each other, and what’s going on with this wild ride of a show in a box.

“The concept is three friends who are living together in a very tiny apartment, and over the course of the show they drift apart, they come back together…it’s a very classic New York story, and experience, and it’s told through the mediums of circus & physical theatre. So it’s not just people standing and having a relationship…it’s people doing spectacular, extraordinary things with their bodies…”

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Sophie McIntosh, D.B. Milliken, & Michael Lepore of “Road Kills”

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Good Apples Collective presents ROAD KILLS, written by Sophie McIntosh, directed by Nina GoodheartListen in as Road Kills playwright Sophie McIntosh, along with performers D. B. Milliken & Michael Lepore, discuss dramaturgical road trips, literal roadkill, finding your way to the darker places, tossing props in full dark, radio plays between scenes, “the two worst days of your life,” creating a special environment, and the strange mishaps that bring us closer together, and sometimes push us apart.

“…a lot of this play has to do with the ways that we interact with animals, across the spectrum…”
“They are us, we are one of them…”

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Ned Du, Sissi Chen, Didi Won, Boyu Chen, Tien-Li Wu, John Jiang, Josh Lau, & Hannah Limbrick of “Not Our Home, Not Our Home”

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NOT OUR HOME, NOT OUR HOME, preview performance at The Flea Theater as part of The Rogue Theater Festival, written by Ned Du, directed by Sissi ChenListen in as Not Our Home, Not Our Home playwright Ned Du, director Sissi Chen, performers Didi Won, Boyu Chen, Tien-Li Wu, John Jiang, & Josh Lau, and composer Hannah Limbrick, discuss the meaning of family, lost cats, enough or too much, freedom, enmeshment, what twists us apart, “love and responsibility,” mirrors of ourselves, and the purpose of guilt.

“…this show is really about the concept of guilt. How does guilt move us, how does guilt animate us to do very, very silly things. Also, it’s about the question of immigration; who do we leave behind, how does it change us, and more importantly, how do we maintain ourselves as a family despite, for example, straddling the Pacific…”

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