Tag Archives: Stage Managers

Akia Squitieri, Matthew Weitz, Adeyinka Adebola, Desiree Pinol, Kyle Porter, Johnny Blaze Leavitt, & Ita Korenzecher of “Friendly’s Fire”

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Rising Sun Performance Company, co-presented by the 14th Street Y, presents FRIENDLY'S FIRE, by John Patrick Bray, directed by Anna HoganListen in as the cast of Friendly’s Fire—Matthew Weitz, Adeyinka Adebola, Desiree Pinol, Kyle Porter, Johnny Blaze Leavitt, & Ita Korenzecher—along with Artistic Director Akia Squitieri (with a quick note from Production Stage Manager Callie Stribling) discuss non-toxic male friendships, the sad timelessness of plays about trauma from war, the difference between cheerleading into war vs. receiving the warriors back into society, and how we use stories to make myths and to heal.

“…the same way kids believe in ghosts, and Santa Claus…and then you’re taught years later that these things are pretend, and made up, and that you need to get a job. So you’re pulled away from storytelling…and the healing powers that it has for people…”

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Jake Lipman and Molly Ballerstein of “The Inn at Lake Devine”

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Tongue in Cheek Theater Productions presents The Inn at Lake Devine, adapted for the stage by Jake Lipman from the novel by Elinor LipmanAt the age of 14, if someone told me I couldn’t do something, I might get pretty righteously indignant, but likely would have felt powerless to do something about it, and then moved on to the next thing to be righteously indignant about.

In Tongue in Cheek Theater Productions‘ The Inn at Lake Devine, at age 14, protagonist Natalie is so affronted when her mother receives a letter suggesting, essentially, that there are “no Jews allowed” at the titular inn…well, she finagles a way to get there herself, to see just what’s up with that. That’s the inciting incident for a pretty epic memory play of love, loss, discrimination, and acceptance between three families through the ’60s and ’70s.

Listen in as Jake Lipman, TIC Producing Artistic Director/adaptor of the play/”Natalie” and fellow metaphorical multi-hat-wearer (but literally often sporting a fedora) Associate Producer/Assistant Director/Stage Manager Molly Ballerstein discuss how personal experiences helped to bring TIC to adapting this play, what it’s like to adapt a novel to a play, teaching/practicing space work, the importance of great designers, and what’s next for Tongue in Cheek.

“…there’s that element of my experiencing something [like this] at a similar age to Natalie, and then I just love her chutzpah and her moxie…she has a flair for the dramatic which I really enjoy.”

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Heather Cohn, Kia Rogers, Rachael Hip-Flores, Isaiah Tanenbaum, and Jodi M. Witherell of “Salvage”

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Flux Theatre Ensemble presents Salvage, written by August Schulenburg and directed by Heather Cohn“What lives on…what’s left when someone is gone?”

The kinds of things that remain can run the gamut—music boxes, stories, ephemera, bottles of booze, memories—but they can all mean something. And exploring that meaning is at the heart of August Schulenburg’s excellent new play Salvage, presented by Flux Theatre Ensemble.

Listen in as the show’s director Heather Cohn, actors Isaiah Tanenbaum and Rachael Hip-Flores, lighting designer Kia Rogers, and stage manager Jodi M. Witherell discuss Flux’s innovative Living Ticket model, tumblr-blogging for your show, working in a non-traditional space, putting audience submissions into your set, and what we save.

“…really, it’s this love-letter to New York that Gus has written…and I love being in it.”

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