Laura Hooper & Jason Alan Carvell of “Tracks”

Pendragon Theatre and New Light Theater Project present TRACKS, written by Paula B. Stanic, co-directed by Tabatha Gayle and Sarah NorrisListen in as actors Laura Hooper and Jason Alan Carvell of Tracks discuss finding actors, complicated relationships, boots & chops, audience reactions, questioning assumptions, stumbling in on real life experiences, and not letting go.

“Everything in our lives conspires to sort of anchor us in a normalcy. And I think one of the powers of Paula’s art, and art more broadly, is that it offers this opportunity to just stray a little bit away from that anchor…”

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Denisse Estefany Mendoza & Peter Michael Marino of “Show Up, Kids!”

SHOW UP KIDS at QED Astoria, created by Peter Michael Marino, directed by Michole Biancosino, at QED Astoria, photo by MikiodoListen in as creator Peter Michael Marino & performer Denisse Estefany Mendoza of SHOW UP, KIDS! discuss awful auditions and why they often don’t matter, working out your show over time, building fairy tales from scratch, how to work with new & inexperienced (very young) improvisers, using what’s given to you by the audience, bringing them back into the show, funny chickens and evil farmers and bad penguin driving, and the sensibilities of New York City kids.

“You just have to say ‘yes, and,’ even to their ‘nos’…you just have to keep going…even the nos can be really funny!”

“It’s always a gift!”

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Sara Fellini, Adam Belvo, & Nicholas Thomas of “A Man Among Ye”

Spit & Vigor presents A MAN AMONG YE by Sara Fellini, directed by Sara Fellini and Nicholas Thomas, at The Players TheatreListen in as writer/director/performer Sara Fellini, along with fellow actors Nicholas Thomas (co-director) and Adam Belvo (fight choreographer), discuss adding more balloons, doing the research, breast reveals, rowing in the same direction with your crew, the light with all the knowledge, lambs with faces, interesting translations, Tarantino’ing it, earning your rail jump, leaning into the “mistakes,” awesome wigs, and, of course, lady pirates.

“There’s so much value to it…if you’ve made the set yourself, if you’ve sewn your costume, you’re gonna care about it, you’re gonna know it more. You’re gonna love it. There’s nothing better, as an actor, than saying, ‘I made this’…”

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Kenneth Keng, Annaporva Green, & Chisom Awachie of “Brought Up”

University Settlement presents BROUGHT UP, written by Kenneth Keng, directed by Annaporva Green, at Speyer HallListen in as playwright Kenneth Keng, director Annaporva Green, and actor & projection designer Chisom Awachie of Brought Up discuss lobotomized flesh puppets, encouraging participation and not “screaming and running away,” gratitude for designers, complicity and unthinking loyalty, Capri Suns, finding “a different way to do this shit,” and survival (with kindness) into the future.

“…it is about the visceral appeal of warfare, and all the equipment…the whiz-bang fighters, the big ships, the guns…things which I, for a long time, loved, and loved learning about, and loved imagining. It is also about the urgent, and near-impossible task of ending warfare. Recently, a lot of those things I loved have lost a lot of their appeal to me…”

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Melissa Ingle, Emily Conlon, and Sevrin Willinder of “Shakespeare Translate: The Complete Works”

Devon Loves ME! productions presents SHAKESPEARE TRANSLATE THE COMPLETE WORKS as part of the Down to Clown Festival at The Vino Theater, BrooklynListen in as performers Sevrin Willinder and Emily Conlon and director Melissa Ingle, of Shakespeare Translate: The Complete Works, discuss translation order, opening up and exploring the box, post-COVID theatre, playing with the audience, the show’s resident ShakesPEER expert, connecting, and why liveness is so integral to being human.

“…it’s such a funny idea…but it proves the fallacy of technology, how it’s letting us down in some ways. But we still get to bring it into the room, and engage with it, and have fun with the miscommunications, which is very Shakespearean…”

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Coral Cohen, Cosette Pin, Sam Hood Adrian, & James Clements of “Third Law”

What Will the Neighbors Say? presents THIRD LAW at Culture Lab LICListen in as members of the team that devised What Will the Neighbors Say?‘s Third Law—director Coral Cohen, designer Cosette Pin, and performers Sam Hood Adrian and James Clements—discuss their devising process, exploring audience agency, Kandinsky, testing your show with live participants, taking risks, and where theatre meets gaming.

“…it’s unlike any game that you have played. You are controlling physical bodies all around you, like real life VR…like reality, but you’re making a play right in front of you.”

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Luis Feliciano, Kristen Hoffman, Penelope Deen, & Padraig Bond of “The Climate Fables: Debating Extinction & The Trash Garden”

Torch Ensemble presents The Climate Fables: Debating Extinction & The Trash Garden at New York City FringeListen in as Luis Feliciano, Kristen Hoffman, Penelope Deen, & Padraig Bond of Torch Ensemble’s The Climate Fables: Debating Extinction & The Trash Garden, winner of “Best Play” in the New York City Fringe, discuss playing with trash, constant improvisation, clowning, casting the audience, ouija boards, bringing play to tragedy, and making a connection.

“…for me as an actor, I really feel like this play is so much about, ‘what do you do when the world is ending?’ You just play some games with your friends, and hope you stay ok…”

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Madelyn Chapman, Jesse Castellanos, Michelle Feza Kuchuk, Fernando Mateo, Jr., Haneen Arafat Murphy, Maria Peyramaure, & Yasmin Ranz-Lind of “Lost Sock Laundry”

UP Theater Company presents LOST SOCK LAUNDRY, written by Ivan Faute, directed by Madelyn ChapmanListen in as the director of Lost Sock Laundry, Madelyn Chapman, along with the full cast—Jesse Castellanos, Michelle Feza Kuchuk, Fernando Mateo, Jr., Haneen Arafat Murphy, Maria Peyramaure, & Yasmin Ranz-Lind—discuss variations on the immigrant experience, finding the political in the quotidian, theatre in/of/for the community, laundry jokes, cast bonding, actual lost socks, and the freedom to play.

“…it’s a very human play. It’s looking at the day-to-day life of folks who are struggling with different aspects of the immigrant experience…The sort of ordinary heroism that is in the play…people just do that in life, and it’s not sung very much, the ways that people stand up for each other.”

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Dorothea Gloria, Joe Staton, Natasha Jain, Francesca Bolam, Kevin Rios, Jandel Camilo, Mila Besson, Nicholas Bompart, and Pablo Gatto of The Immigrant Short Play Festival

RiffRaff NYC presents Immigrants in New York at The Court Square TheaterListen in as Dorothea Gloria, Joe Staton, Natasha Jain, Francesca Bolam, Kevin Rios, Jandel Camilo, Mila Besson, Nicholas Bompart, and Pablo Gatto of RiffRaff NYC‘s Immigrants in New York short play festival discuss mother-daughter relationships, unpacking baggage, why clowns, the superpowers bestowed by costumes, personifying statues, and wearing masks over masks.

“…I wanted to show their lives, their dreams, their feelings…for me, it was important to show these professions, also…sometimes we take for granted, there are people who do it for passion, and some of them, they do it because they need to bring in money…”

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Nancy Ma, Kim Wuan, David Lee Huynh, & Vin Kridakorn of “Warrior Sisters of Wu”

Pan Asian Repertory Theatre presents Warrior Sisters of Wu, written by Damon Chua, directed by Jeff LiuListen in as Warrior Sisters of Wu performers Nancy Ma, Kim Wuan, David Lee Huynh, & Vin Kridakorn discuss navigating and connecting times and traditions, how conflicts can grow relationships and solve problems, respect and love for the audience, the changing moment when you discover your character’s love for another, fighting as conversation, grounding your role in the personal, and the permission to be anything and everything.

“…a great deal of love should be able to hold conflict…”

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