Listen in as Benevolent playwright Sophie McIntosh, director Nina Goodheart, associate director & dramaturg BT Hayes, and actor Morgan S. Perry, discuss wicker basket handling, figuring out what you’re after, the meaning of “soiled shift,” historical blogs, finding the right word, “critical fabulation,” finding your washing style, the importance of intimacy direction, covering as an understudy, and writing past realities back into the narrative.
“…these corners of society that, at the time, were documented in a kind of less than…gracious? …what’s the word…”
“Benevolent?”
“Yeah! A less than benevolent way. […] What is missing from a section of society that was highly oppressed […] A lot of our conversations beyond the physical world of [1917…], a lot of it was about imagining beyond the archive, in a way that does not conform to the archive…”
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Listen in as ExtraO1dinary Aliens! playwright Carolina Ðỗ and assistant director/stage manager Isabel Criado discuss nightmares becoming reality, bureaucratic flattening, telling stories to heal, collaboration & community & education, and growing, changing, & becoming more real.
Listen in as Christian Parker, producer & director of The First Line of Dante’s Inferno, discusses blank slates, finding a rhythm, getting the audience ahead of what they’re experiencing, letting the humor live, and the weird magic that happens when people get lost in the woods.
Listen in as Mano a Mano creator/composer/performer Paul Pinto, along with director Kristin Marting, discuss getting over live performance doomerism, celebrating/questioning/undressing/redressing/exposing masculinity, giving the audience access to the performer, theatrical collaboration, the work of the body in creating vocal sound, a work of art’s relevance in time and space, and giving the audience a good time.