Listen in as Christian Parker, producer & director of The First Line of Dante’s Inferno, discusses blank slates, finding a rhythm, getting the audience ahead of what they’re experiencing, letting the humor live, and the weird magic that happens when people get lost in the woods.
“…I think more broadly, the play is about longing, and feeling lost in midlife, and loneliness, and what sort of questions we find ourselves having to answer in the middle of our lives when we’ve already made a bunch of choices, and have to make some decisions about whether we’re going to honor those, or take a totally new direction…”
Podcast: Play in new window | Download
Subscribe: RSS
Listen in as Mano a Mano creator/composer/performer Paul Pinto, along with director Kristin Marting, discuss getting over live performance doomerism, celebrating/questioning/undressing/redressing/exposing masculinity, giving the audience access to the performer, theatrical collaboration, the work of the body in creating vocal sound, a work of art’s relevance in time and space, and giving the audience a good time.
Listen in as Lilith in Pisces playwright Kayla Eisenberg, along with director Stephanie Cox-Connolly, discuss missed connections, revealing secrets, Jekyll & Hyde, starting from anywhere, campfire plays, designer collaborations, staging the unstageable, adjacency to horror, “a little bit of not-sympathy,” Stephanie’s recipe for making stage-ready mac & cheese, and things that are funny until they’re not.