Jonathan Draxton, playwright & performer, and Kevin O’Rourke, director, of “Soldier”

Soldier by Jonathan DraxtonThe theatre is “a place for seeing;” a place where we can ask the big difficult questions about what it means to be a human being in the world we’ve collectively made.

Soldier, written & performed by Jonathan Draxton and directed by Kevin O’Rourke, isn’t afraid to ask one of those very difficult questions: can we understand, and possibly forgive, someone who participated in some of the most appalling crimes in recorded human history? The play unfolds as a Nazi SS officer, waiting on the banks of the river Styx, recounts stories from his family & military life, all the while asking members of the audience for coins to pay for passage across the river for his men & himself.

Listen in as Jonathan, Kevin & I talk about provoking & inviting the audience into the performance, attempting to get at the humanity of a soldier, and “going through the fire.”

The Plowmen present
Soldier

Directed by Kevin O’Rourke
Written, performed and produced by Jonathan Draxton

December 11–22, 2012
HERE Arts Center
145 Sixth Avenue
Tickets available from the HERE website

Soldier by Jonathan Draxton, photo by Kenna Draxton

Michael Poignand, Laura Iris Hill, Kathleen Foster, Matthew Foster, and Bryn Boice of Australian Made Entertainment’s “Speaking in Tongues”

Australian Made Entertainment's "Speaking in Tongues"One of the most beautiful things about New York City is its global nature; it truly feels like the center of everything, a place that people from all over the globe are drawn to. Three of the artists on this week’s episode are originally from the other side of the world, and are producing a play from their native Australia as part of the company’s mission to bring Aussie plays to New York.

If there’s more theatrical gold like this down under, Australian Made Entertainment is going to have much success Stateside.

Listen in as actors Michael Poignand & Laura Iris Hill, producers/actors Kathleen Foster & Matthew Foster, and director Bryn Boice of AME’s production of Andrew Bovell’s Speaking in Tongues discuss filling in the open spaces lovingly left by the playwright, creating two (and three) different characters each night, and bringing Australian works to the U.S.

“Dancing & shoes, dancing & shoes.”

Australian Made Entertainment presents

Speaking in Tongues
by Andrew Bovell

directed by Bryn Boice

Theatre 54 @ Shetler Studios
244 W. 54th Street, 12th floor
(between Broadway & 8th Avenue)

November 30 – December 16, 2012
Wednesdays to Saturdays @ 8 p.m.
Sundays @ 2 p.m.

Tickets available via BrownPaperTickets

"Speaking in Tongues," photo by Kyle Groff "Speaking in Tongues," photo by Kyle Groff "Speaking in Tongues," photo by Kyle Groff "Speaking in Tongues," photo by Kyle Groff

photos by Kyle Groff

Kelly O’Donnell, Gus Schulenburg, and Adam Szymkowicz of Flux Theatre Ensemble’s “Hearts Like Fists”

…is this thing on?

Apologies that Go See a Show! has been out of commission for the past couple of months. But never fear — we’re back!

Flux Theatre Ensemble's "Hearts Like Fists"And speaking of “never fear,” the podcast makes its triumphant return with an episode about a comic-book-superhero-noir-thriller presented by Flux Theatre Ensemble: Hearts Like Fists.

Listen in as Flux founders Kelly O’Donnell (director), Gus Schulenburg (actor, “Dr. X”), and Adam Szymkowicz (playwright) talk about development of the play with Flux, writing & “getting there” with difficult scripts, and roles that know what they want.

Flux Theatre Ensemble presents

Hearts Like Fists
by Adam Szymkowicz
directed by Kelly O’Donnell
Nov 30 – Dec 15, 2012

The Secret Theatre
44-02 23rd Street
Long Island City, NY 11101

tickets available via OvationTix

Lindsey Moore Sproul & Jeff Sproul, of No Tea Productions’ “Space Captain: Captain of Space!”

As you may have guessed from the fact that I produce this podcast, I love off-off-Broadway theatre. And one of the chief reasons for this love is the opportunity for those of us in the off-off community to explore different ways of bringing things to the stage that one might not presume could be brought to the stage: things like epic space battles, creepy alien defenders of an intergalactic oracle, a ferocious giant feline — and doing an entire play in black-and-white (!?!?).

On this episode of the podcast, Go See a Show! talks with director Lindsey Moore Sproul along with her No Tea Productions collaborator (& spouse), playwright & actor Jeff Sproul, about their new show Space Captain: Captain of Space!, running at The Kraine Theater.

Take a journey along with the X-1 rocketship, and listen in as Jeff & Lindsey talk about the trajectory of No Tea, creating those epic space battles live onstage, seamlessly mixing stage & screen, and making the couple’s cat Fish into an awesome alien monster.

No Tea Productions presents
Space Captain: Captain of Space!

written by Jeff Sproul
directed by Lindsey Moore Sproul

The Kraine Theater
85 East 4th Street
New York, NY 10003

thru September 15, 2012
every Thursday and Friday night, plus Saturdays September 1st and 15th only
all shows at 8:00 p.m.
tickets available via Brown Paper Tickets

Alec Duffy, director of Hoi Polloi’s production of “Baal”

Hoi Polloi's "Baal"Those of you who know me, the producer of Go See a Show!, know that I love me some Bertolt Brecht. So when I saw there was a chance to see his first play, Baal, presented by Hoi Polloi as part of the Underground Zero Festival, it was the first show I secured tickets for.

I was not disappointed. And you won’t be either — sadly, as I’m posting this there are just two more chances to catch this one, but catch it you should.

Listen in as I chat with the show’s director Alec Duffy about the fire of Baal, making immersive theatre in a former DJ bar-lounge dance-club, erasing the border between the street & the stage, and what’s next for his new Brooklyn performance space, JACK.

Hoi Polloi presents

Baal
by Bertolt Brecht
directed by Alec Duffy

part of the Underground Zero Festival

JACK
505 1/2 Waverly Ave, b/w Fulton & Atlantic
Brooklyn

July 12 – August 5 @ 8PM

Cheryl Faraone, director of PTP/NYC’s “Serious Money”

As mentioned in previous episodes, while I love theatre in its many forms, I (the producer of GSAS!) am predominately interested in where theatre’s at now—how our art form can speak to our current reality. Knowing this, one might be surprised to hear that one of the most intriguing works I’ve seen of late is a revival of a play written & set in the mid-80s.

But it’s the truth. PTP/NYC has brought their production of Caryl Churchill’s classic Serious Money to Atlantic Stage 2, and in addition to featuring a script that has aged wonderfully (and resonates eerily well with the current global financial situation), the production, under the direction of Cheryl Faraone, feels as fresh & current & of-the-moment as any show I’ve covered on the podcast. You should check this one out.

But before you do: take a listen to this episode as Cheryl discusses working from a common language, creating socially-observant work while avoiding didacticism, and running monsters of different stripes in rep.

PTP/NYC (Potomac Theatre Project) presents
Serious Money

by Caryl Churchill
directed by Cheryl Faraone

running in rep with

Monster, by Neal Bell

July 3–29
Atlantic Stage 2
330 West 16th Street
New York, NY

Tickets & showtimes available via TicketCentralPTP/NYC's "Serious Money"

PTP/NYC's "Serious Money"PTP/NYC's "Serious Money"PTP/NYC's "Serious Money"

Amy Overman, Justin Plowman, Gyda Arber, and Amy Beth Sherman of “Of Dice & Men”

More repeat offenders on GSAS! for this episode — last time it was stoned, drunken zombies, but this time the fine people at Dysfunctional Theatre are bringing a story of epic campaigns, saving throws, and decisive D20 rolls to the stage with Of Dice & Men, by Cameron McNary, part of the Game Play Festival at The Brick.

On the mic are Amy Overman, the show’s director, Justin Plowman, who plays a hardcore gamer in the show, Gyda Arber, another gaming enthusiast in the show as well as the producer of the Game Play Festival, and Amy Beth Sherman, who portrays another roleplayer in the show’s D&D adventuring party. Listen in to this episode for more on Game Play, passion, Justin’s super “woop-woop” dance, hating & loving Uni, and the connections between jocks, geeks, and theatre goons.

Dysfunctional Theatre Company & The Brick Theater, Inc. present
Of Dice & Men

Written by Cameron McNary
Directed by Amy Overman

Starring: Gyda Arber, Rob Brown*, Cedric Jones, Justin Plowman, Adam Swiderski, and Amy Beth Sherman*
*appears courtesy of Actors’ Equity Association

The Brick
575 Metropolitan Avenue (between Union Avenue and Lorimer Street)
Brooklyn, NY

Saturday July 7, 8pm
Tuesday July 10, 8pm

Thursday July 12, 8pm
Sunday, July 15, 2pm
Wednesday, July 18, 8pm
Saturday, July 21, 2pm
Tuesday, July 24, 8pm
Friday, July 27, 7pm

Tickets: $15, available online at bricktheater.com, or by calling OvationTix at 866-811-4111

photos by Flaviu Nasarimba

Andrew Goffman, playwright & performer, and director Charles Messina of “The Accidental Pervert”

The Accidental Pervert

It might seem surprising to hear that an off-off-Broadway show has been running for three years, to consistently packed houses. Then again, when that show is a frank, honest, laugh-filled discussion of a young man’s coming-of-age story via his Dad’s porn collection and his own subsequent addiction to said porn…well, you know there’s going to be a little something in there for everyone.

In this episode of Go See a Show!, we’ve got an interview with playwright & actor Andrew Goffman, the self-described title character of The Accidental Pervert. His autobiographical one-man show is part theatre, part stand-up, (almost) entirely true, and all heart.

The Accidental PervertListen in as Andrew and director Charles Messina discuss the broad appeal of a show about a kid’s connection to his father through porn, the porn-addicts in trenchcoats who are disappointed by the show, becoming an electrician by necessity, and how to keep a show that’s been running for over three years fresh.

Oh, and stick through to the end to hear Andrew’s “sexy voice.”

The Accidental Pervert, photo by Paul Urban“…if you ever forget your lines, just start moving. Start cleaning up the stage. And a lot of these off-Broadway theaters need cleaning anyway…”

The Accidental Pervert
Fridays & Saturdays @ 7pm
The 13th Street Repertory Company
50 West 13th Street – between 5th & 6th Aves

All Seats $30
Tickets available via OvationTix, or call 212-352-3101
or, visit the 13th Street Repertory Box Office

Frank Cwiklik, director of DMTheatrics’ “FINAL CURTAIN: The Last of Ed Wood”

Final Curtain: The Last of Ed WoodI’m sure we’ve all noticed the trend in theatre to take material from the film world and put it upon the stage — look at the Broadway listings, and you’re sure to see what I mean. Director Frank Cwiklik of DMTheatrics is also in the business of bringing the big screen to the live stage, but right now he’s not working with “successful” films — he’s working with material from Ed Wood, the much-maligned/cultishly-adored1950s sci-fi/noir/horror/strange film writer/director/producer/actor. And for FINAL CURTAIN: The Last of Ed Wood, he’s got 5 (five!) Wood pieces running in rep at The Red Room.

After opening night of Bride of the Monster paired with The Sinister Urge!, Frank took a break from the madness to discuss the origins of his putting Ed Wood onstage, technical difficulties as aesthetic choices, playwrighting by necessity, and giving the man some have called “the worst director in history” a little respect.

DMTheatrics presents

FINAL CURTAIN: The Last of Ed Wood

directed by Frank Cwiklik

Remaining performances:
TUE JUNE 26 8 PM The Ed Wood Memorial Burlesque Blowout
WED JUNE 27 8 PM The Violent Years!, 9:30 PM Hot Ice
THURS JUNE 28 8 PM Night of the Ghouls, 9:30 PM The Violent Years!
FRI JUNE 29 7:30 PM The Sinister Urge PLUS a retrospective of past DMT B-movie shows
SAT JUNE 30 8 PM Hot Ice, 9:30 PM Bride of the Monster
SUN JULY 1 1 PM Matinee Double Feature: Night of the Ghouls/The Violent Years!
8 PM Hot Ice, 9:30 PM The Sinister Urge!

FINAL CURTAIN: The Last of Ed Wood, "Bride of the Monster"FINAL CURTAIN: The Last of Ed Wood, "The Sinister Urge!"FINAL CURTAIN: The Last of Ed Wood, "The Sinister Urge!"

The Cast & Director of Playhouse Creatures’ “Love Song”

Playhouse Creatures' production of "Love Song"If you’ve never been to the Access Theater, it might seem a little out of place; it’s four flights up in a nondescript building just south of Canal Street, and if not for the sandwich board out in front, you could easily miss it.

But you shouldn’t miss what’s going on in one of the theaters that lives up those four flights: a lovely revival of John Kolvenbach’s Love Song, presented by Playhouse Creatures.

Listen in to this episode of Go See a Show! as the cast — Eric Doss, Sarah Koestner, Patricia Duran, and Joseph W. Rodriguez — and director, Kenny Wade Marshall, discuss finding your character in yourself, sentimentality vs. being present, and the benefits of working together as an ensemble for years.

Take the stairs.

Playhouse Creatures presents

Love Song
by John Kolvenbach

June 9-24th
Wednesday – Saturday @ 8PM
Sundays @ 3PM
*Special added Performance Tuesday June 19th @ 8PM!

Tickets: $18, available via SmartTix

Access Theatre
380 Broadway @ White Street

Playhouse Creatures presents John Kolvenbach's "Love Song"

Playhouse Creatures presents John Kolvenbach's "Love Song"

Playhouse Creatures presents John Kolvenbach's "Love Song"

photos by Justin Dodd