I love seeing people I recognize onstage.
And though I’m not from Marble Head, outside of Boston (pronounced “Mahble Head, outside of Bahston”), playwright August Schulenburg has written some beautifully complex, and very familiar, characters in his funny, tragic, compelling new play, Honey Fist.
Listen in as Gus and director Kelly O’Donnell discuss where Gus’s “most autobiographical play” (that’s not autobiographical) came from, the late-night last-minute carving of bongs, and why Honey Fist is running in rep with Sans Merci (hear the Sans Merci podcast here — and, listen to Gus & Kelly’s first outing on the podcast, about Adam Szymkowicz’s play Hearts Like Fists, here).
“Wha, you think you’re bettah than me?”
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For the second episode in a row, GSAS! heads to the nation of Colombia (via the magic of theatre, of course), this time with Ugly Rhino’s What It Means to Disappear Here.
For this 50th podcast of Go See a Show!, I present to you an episode recorded half a year ago, but that might be one of the most interesting interviews I’ve done.
The theatre is “a place for seeing;” a place where we can ask the big difficult questions about what it means to be a human being in the world we’ve collectively made.
