Information is power. But information often comes with a price tag.
What do you do if you believe at your core that information must be made available to all who seek it?
And how do you mitigate the possible effects of opening up information, when it has the potential to cause harm—perhaps to a loved one, perhaps to the state? Maybe, through your efforts at sunlight, you could make the world a better place, but at what cost?
And, just what can theatre do about all of this?
These questions, and more, are at the heart of The Representatives‘ Private Manning Goes to Washington, a play that opens with internet and political activist Aaron Swartz and a childhood friend, and eventually explores a secret meeting between whistle-blower Chelsea Manning and President Barack Obama on the last day of Obama’s presidency…
Listen in as the collaborators who form The Representatives, Stan Richardson and Matt Steiner (both co-direct, Richardson wrote the script, and Steiner plays Swartz), discuss the radical intimacy of producing in apartments, imagining how one activist could try to help another activist while actively under investigation, the benefits of getting the artists and audience in closer proximity, throwing post-show parties, and why we don’t need more martyrs: we need everyone.
“We have a strong sense of occasion. It’s enormously meaningful for a group of people to get together and sit and watch something. An so often in traditional theatre, there’s obviously a separation between the artist and the audience that becomes almost hierarchical…”
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Listen in as playwright, director, and performer Genny Yosco of A Fifth Dimension: An Unauthorized Twilight Zone Parody, along with fellow actors Zachary Millard and Chris Weigandt, discuss overacting the overacted, casting young actors, making your own opportunities, producing out of bitterness and hatred, and finding the horrifying contemporary relevance of your parody show.
