This episode serves as both a “welcome back!” and a fond “farewell” to the excellent company Australian Made Entertainment (previously heard on the podcast with their wonderful shows Speaking in Tongues and Once We Lived Here), who are presenting their last show in NYC before founders Kathleen & Matthew Foster bring their family & work to Los Angeles. West Coast, our loss is your gain.
Fittingly for their final NYC bow, AME is presenting an Aussie classic, David Williamson’s The Club, about the back-room negotiations and maneuverings of a football club in the 1970s, directed by Andrew H. Lyons. As noted in the interview, it feels like this play occupies an interesting spot between Glengarry Glen Ross and Moneyball—and don’t worry, you don’t have to know a thing about business, or Australian football, to enjoy the brilliant work going on right now at Urban Stages.
Listen in as Matthew, Andrew, and actor David Sedgwick discuss the struggles between tradition and business, moustaches, and how a contemporary Australian classic resonates in modern-day U.S.A.
“…what I saw getting into it was this tipping point of tradition vs. business, bottom-line vs. tradition…that’s where we were, we were right there at ‘do we hang on to tradition, do we keep America moving forward to help ourselves, or do we cut our losses, cut all that stuff, and go for the money‘…it’s the moment of the tipping point…”
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