Listen in as James Godwin, co-creator and performer of The Flatiron Hex, discusses his roots in puppetry, accidental iconography, flood myths, how you know when your puppet is complete, astounding coincidences, mocking the sacred to make it stronger, how the show requested the puppets (and extreme physicality), and why you should make the kind of things that you enjoy.
“…you know your [work] is done when you’re sitting there, and you decide, ‘there’s one more thing I’m going to change.’ Don’t ever do that change. Because if you think there’s only one more thing to change, you’re about to destroy [it]…”
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