Joe Therrien, Ali Dineen, Darkin Brown, Tom Cunningham, Sam Wilson, & Jason Hicks of “Dimension Zero”

DIMENSION ZERO by Boxcutter Collective, presented at HERE Arts CenterListen in as Dimension Zero co-creators, performers, and Boxcutter Collective members Joe Therrien, Ali Dineen, Darkin Brown, Tom CunninghamSam Wilson, & Jason Hicks discuss consensus not compromise, salad bars, writing and shaping earworms, grant-writing as production impetus, outside eyes, reality catching up to dark comedy, “following the giggle,” and how a collective comes together to create an anti-capitalist musical puppet show.

“…one of the reasons we made this show, is to not go insane…art allows you to take that thing you can’t deal with, and it allows you to put it into your hands to mess with. For us, with this show, it’s taking this planetary moment of terror…it allows us to at least put it in front of us, and put it in front of the audience, in a way we can feel empowered, and hopeful…”

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Paul Pinto of “Thomas Paine in Violence”

HERE and thingNY present THOMAS PAINE IN VIOLENCE, created, written, and scored by Paul Pinto, directed by Rick BurkhardtListen in as Paul Pinto, composer/performer of the new opera Thomas Paine in Violence, discusses difficult elevator pitches, millions of radio signals heading in millions of directions, “a shit-ton of words,” why Thomas Paine deserves this musical treatment,live editing, debating the ideas Paine himself was debating over 200 years ago, “words as texture, language as music,” and writing for his thingNY band-mates.

“…it’s juxtaposing Thomas Paine’s incredible writing with pop-culture…”
“…whatever that is…”
“…whatever’s on my brain at the time…it really is like radio stations changing all the time…”

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J. Alphonse Nicholson, Howard L. Craft, and Joseph Megel of “Freight: The Five Incarnations of Abel Green”

Freight: The Five Incarnations of Abel Green, written by Howard L. Craft, directed by Joseph Megel, and featuring J. Alphonse NicholsonPlaywright Howard L. Craft was tasked with creating a 10-minute play based on a work of art from the Ackland Art Museum’s permanent collection, and he chose Slow Down Freight Train, a painting by Rose Piper.

Actor J. Alphonse Nicholson tore into the script with the help of director Joseph Megel—and when it was over, they all wanted more.

So Craft when back to the page, and expanded a short play about a minstrel into an epic of the African American male across the 20th Century in America. That’s all I can really say to describe it: you’ve just got to see it. Seriously, you really should go see this one. It’s powerful, original theatre, and incredibly performed.

And before you go, listen in to this episode of the podcast as Alphonse, Howard, and Joseph discuss finding connections with characters across a century, old souls, chemistry with your collaborators, basketball metaphors for your team, and finding new things with every new incarnation of your production.

“…you live them. You don’t act them. You live them. And this is a piece that allows me to do that. I tell people all the time, ‘I hate acting. But I love living.'”

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